Chinese Looks
Fashion, Performance, Race
Published on 25. April 2014
308 pages
978-0-253-01568-6 (ISBN)
Description
From yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years. Sean Metzger provides a cultural history of three iconic objects in theatrical and cinematic performance: the queue, or man's hair braid; the woman's suit known as the qipao; and the Mao suit. Each object emerges at a pivotal moment in US-China relations, indexing shifts in the balance of power between the two nations. Metzger shows how aesthetics, gender, politics, economics, and race are interwoven and argues that close examination of particular forms of dress can help us think anew about gender and modernity.
Reviews / Votes
Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the 'Sino/American interface' that marks political and cultural investments in America's views of China and Chinese Americans.(New Books in Asian American Studies) Chinese Looks is a sophisticated and well-researched publication that sheds light on how our appearances are tools for expressing identity, culture, politics, and issues that cross these complex boundaries.
(Costume) Cultivating both a careful examination of cinematic technique and a broad theoretical understanding of global cultural exchange, Metzger does an especially good job of putting the cultural industries of China and North America into conversation.
(The Drama Review) This is an important work that should be of interest to scholars in the fields of theatre, performance, cinema, queer studies, art history, costume design, and visual culture.
(Modern Drama)
A welcome addition to theatre and performance studies, film studies, Asian American studies, fashion theory, and gender and sexuality studies, Chinese Looks is poised to provide entree into future conversations about China's continued rise in geopolitics, the next chapter in the Sino/American interface.
(Journal of American Drama and Theatre)
More details
Language
English
Place of publication
Bloomington, IN
United States
Target group
Professional and scholarly
Product notice
Reflowable
Illustrations
35 b&w illus. - 35 Illustrations, black and white
ISBN-13
978-0-253-01568-6 (9780253015686)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
04/2014
Indiana University Press
€71.50
Shipment within 10-20 days
Book
04/2014
Indiana University Press
€28.50
Shipment within 10-20 days
Person
Sean Metzger is Assistant Professor of Performance Studies in the UCLA School of Theater, Film, and Television. He is editor (with Olivia Khoo) of Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures and (with Gina Masequesmay) of Embodying Asian/American Sexualities.
Content
Introduction
Part I. The Queue
1. Charles Parsloe's Chinese Fetish
2. Screening Tails
Part II. The Qipao
3. Anna May Wong and the Qipao's American Debut
4. Exoticus Eroticus, or the Silhouette of Suzie's Slits during the Cold War
5. Cut from Memory: Wong Kar-Wai's Fashionable Homage
Part III. The Mao Suit
6. An Unsightly Vision
7. Uniform Beliefs?
8. Mao Fun Suits
Epilogue: The Tuxedo
Notes
Index
Part I. The Queue
1. Charles Parsloe's Chinese Fetish
2. Screening Tails
Part II. The Qipao
3. Anna May Wong and the Qipao's American Debut
4. Exoticus Eroticus, or the Silhouette of Suzie's Slits during the Cold War
5. Cut from Memory: Wong Kar-Wai's Fashionable Homage
Part III. The Mao Suit
6. An Unsightly Vision
7. Uniform Beliefs?
8. Mao Fun Suits
Epilogue: The Tuxedo
Notes
Index
