
Interdisciplinary Cultural Production in Practice
Peter Merrington(Author)
Routledge (Publisher)
1st Edition
Will be published approx. on 23. June 2026
184 pages
978-1-040-66957-0 (ISBN)
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for ePUB without DRM
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Description
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Combining history, theory, case studies and practical guidance, this book offers a critical introduction to interdisciplinary production in the arts and cultural industries.
Taking a production studies approach, the book examines how arts and cultural organisations produce and present new work that integrate knowledge and working methods from different disciplines, while accounting for cultural policy, funding and audiences. It provides rich and detailed case studies of interdisciplinary production in practice across a range of international contexts. Rather than taking a specific art form as a starting point, the author focuses on the strategic act of conjunction and considers examples across multiple art forms including the visual and performing arts and beyond. Whilst providing historical and theoretical contextualisation, this book primarily focuses on new, accessible ways to both understand the promise of interdisciplinarity and execute its creation.
As the first text to examine the working process of creating complex interdisciplinary cultural projects, this book will be of interest to advanced students in various creative disciplines, including media production, cultural industries and arts management, and curating.
Taking a production studies approach, the book examines how arts and cultural organisations produce and present new work that integrate knowledge and working methods from different disciplines, while accounting for cultural policy, funding and audiences. It provides rich and detailed case studies of interdisciplinary production in practice across a range of international contexts. Rather than taking a specific art form as a starting point, the author focuses on the strategic act of conjunction and considers examples across multiple art forms including the visual and performing arts and beyond. Whilst providing historical and theoretical contextualisation, this book primarily focuses on new, accessible ways to both understand the promise of interdisciplinarity and execute its creation.
As the first text to examine the working process of creating complex interdisciplinary cultural projects, this book will be of interest to advanced students in various creative disciplines, including media production, cultural industries and arts management, and curating.
More details
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Product notice
Reflowable
File size
1,28 MB
ISBN-13
978-1-040-66957-0 (9781040669570)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Peter Merrington
Interdisciplinary Cultural Production in Practice
Book
approx. 06/2026
1st Edition
Routledge
€52.50
Not yet published

Peter Merrington
Interdisciplinary Cultural Production in Practice
Book
approx. 06/2026
1st Edition
Routledge
€191.50
Not yet published
Person
Peter Merrington is a Lecturer in the Business of the Creative and Cultural Industries at the School of Arts and Creative Technologies, University of York, UK.
Content
Acknowledgements
1. Introduction: interdisciplinary cultural production in practice
2. The interdisciplinary impulse in contemporary arts commissioning
3. Working in the rubble: Cultural economies of integration in the UK after 2010
4. Case studies and parameters: time, place and festival
5. Un-disciplined audiences
6. Conclusion - creating and holding space
Index
1. Introduction: interdisciplinary cultural production in practice
2. The interdisciplinary impulse in contemporary arts commissioning
3. Working in the rubble: Cultural economies of integration in the UK after 2010
4. Case studies and parameters: time, place and festival
5. Un-disciplined audiences
6. Conclusion - creating and holding space
Index
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