
Love Lessons
Description
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Whether she is working in the briefest, most incisive lyric mode or the complex time schemes of longer meditations, Merini's deep knowledge of classical and Christian myth gives her work a universal, philosophical resonance, revealing what is at heart her tragic sense of life. At the same time, her ironic wit, delight in nature, and affection for her native Milan underlie even her most harrowing poems of suffering. In Stewart's skillful translations readers will discover a true sibyl of the twentieth and twenty-first centuries.
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Content
- Cover Page
- Half-title Page
- Title Page
- Copyright Page
- Contents
- Acknowledgments
- Translator's Introduction
- from Fiore di Poesia: 1951-1997
- from La presenza di Orfeo / The Presence of Orpheus (1953)
- La presenza di Orfeo
- The Presence of Orpheus
- Sarò sola?
- Will I Be Alone?
- from Paura di Dio / Fear of God (1955)
- Solo una mano d'angelo
- Only an Angel's Hand
- Maria Egiziaca
- Mary of Egypt
- Pax
- Peace
- from Nozze romane / Roman Wedding (1955)
- Nozze romane
- Roman Wedding
- La Pietà
- The Pietà
- La Sibilla Cumana
- The Cumaean Sibyl
- Quando l'angoscia
- When the Anguish
- from Tu sei Pietro / You Are Pietro (1961)
- Missione di Pietro
- Peter's Mission
- Sogno
- Dream
- Lirica antica
- Antique Lyric
- E piú facile ancora
- And It Would Be Even Easier
- from La Terra Santa / The Holy Land (1984)
- [Io ero un uccello]
- [As for me, I used to be a bird]
- Tangenziale dell'ovest
- Western Ring Road
- [La luna s'apre nei giardini del manicomio]
- [The moon unveils itself in themadhouse gardens]
- [Il mio primo trafugamento di madre]
- [My first mother-theft]
- from Per Michele Pierri / For Michele Pierri (unpublished until 1991)
- Il canto dello sposo
- The Song of the Groom
- Elegia
- Elegy
- from La gazza ladra. Venti ritratti / The Thieving Magpie: Twenty Portraits (unpublished until 1991)
- Saffo
- Sappho
- Emily Dickinson
- Emily Dickinson
- Plath
- Plath
- Alda Merini
- Alda Merini
- Il pastrano
- The Overcoat
- Il grembiule
- The Apron
- L'ospite
- The Guest
- from Le satire della Ripa / Ripa's Satires (1983)
- [Cesare amò Cleopatra]
- [Caesar loved Cleopatra]
- from La palude di Manganelli oil monarca delre / Manganelli's Quagmire or The King's Reign (1992)
- Otello
- Othello
- from Titano amori interno / Colossal Inner Loves (1993)
- La sottoveste
- The Slip
- from Ballate non pagate / Penniless ballads (1995)
- [Tornai allora a quella neve chiara]
- [Then I went back to that bright snow]
- from La volpe e il sipario / The Fox and the Curtain (1997)
- [Che insostenibile chiaroscuro]
- [What unbearable chiaroscuro]
- Aforismi
- Aphorisms
- La calunnia
- Calumny
- From Superba E` La Notte / Superb Is The Night (2000)
- [Sulla noce di un'albicocca]
- [La cosa piú superba è la notte]
- [The most superb thing is the night]
- [La notte se non è rapida]
- [Night, if it is not swift]
- [C'era una fontana che dava albe]
- [There was a fountain that offered dawns]
- [Naviglio che soccorri la mia carne]
- [Naviglio that succors my flesh]
- [Ci sono i paradisi artificiali]
- [There are artificial paradises]
- [Resti un ardente ulivo]
- [Stay steady burning olive tree]
- In morte di mia sorella
- On the Death of My Sister
- [O canto della neve chiuso dentro la fossa]
- [Oh song of the snow stuck inside the ditch]
- Guerra
- War
- Il Corvo
- The Raven
- Il grido della morte
- The Cry of Death
- [Nella terra di Scozia]
- [In the land of Scotland]
- Notes
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