
Audio Description
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Content
- Audio Description
- Editorial page
- Title page
- LCC data
- Dedication page
- Table of contents
- Introduction. From source text to target text
- 1. The project
- 2. The partners
- 3. The book
- 4. The film
- 5. The chapters
- References
- Film references
- Chapter 1. Audiointroductions
- 1. Literature review
- 2. Audiointroduction for Inglourious Basterds
- 3. Strategies
- 3.1 The process
- 3.2 Characters
- 3.3 Locations
- 3.4 Visual style
- 3.5 Background information
- 3.6 Synopsis
- 3.7 Putting it all together
- 4. Language
- 5. Conclusions and suggestions for further research
- References
- Film references
- Chapter 2. Intertextuality
- 1. Introduction
- 2. Verbal intertextuality and Inglourious Basterds
- 3. Nonverbal intertextuality and Inglourious Basterds
- 4. Context of situation and context of culture
- 5. Author intent and audience interpretation
- 6. Intertextuality and Tarantino
- 7. Conclusion
- References
- Film references
- Chapter 3. Textual cohesion
- 1. Theoretical introduction
- 2. Inglourious Basterds. Initial comments
- 3. Audio description of Inglourious Basterds
- 4. Another example text - The English Patient
- 5. A longer perspective
- 6. Conclusion
- References
- Film references
- Appendix 1. Original screenplay of The English Patient
- Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds)
- Chapter 4. Spatio-temporal setting
- 1. Introduction
- 2. Examples: Analysis
- 3. Theory and bibliography
- 3.1 Literature on the audio description of spatio-temporal settings
- 3.2 The narratological take on spatio-temporal settings for AD
- 3.3 The basic components of spatio-temporal settings
- 3.4 The construction of spatio-temporal settings by the author
- 3.5 The reconstruction of spatio-temporal settings by the audience
- 4. A possible strategy for audio describing spatio-temporal settings
- 5. The language
- 6. Conclusion
- References
- Film references
- Chapter 5. Film language and tools
- 1. Introduction
- 2. Analysis of the examples
- 2.1 Aesthetic breaks
- 2.2 Split screen
- 2.3 Sharp scene cuts
- 2.4 Parallel editing
- 2.5 Close-ups
- 2.6 Slow motion
- 2.7 Camera pedding
- 3. Theory and bibliography
- 4. AD strategies: Alternative possibilities
- 4.1 Aesthetic breaks
- 4.2 Split screen
- 4.3 Sharp scene cuts
- 4.4 Parallel editing
- 4.5 Close-ups
- 4.6 Slow motion
- 4.7 Camera pedding
- 5. Concluding remarks
- References
- Film references
- Chapter 6. Audio describing text on screen
- 1. Text on screen in Inglourious Basterds: An introduction
- 2. Text on screen in audio description: Guidelines and research
- 3. Text on screen and AD: Possible strategies
- 3.1 Logos and credits
- 3.2 Inserts or superimposed titles
- 3.3 Various types of text on screen
- 3.4 Subtitles
- 4. Conclusions
- References
- Film references
- Chapter 7. The importance of sound for audio description
- 1. Introduction
- 2. The opening scene
- 3. AD as a type of audiovisual translation
- 4. Types of sound in film
- 5. Literature review
- 6. Analysis of sound in Inglourious Basterds and its importance for AD
- 6.1 Sounds representing acts of violence
- 6.2 Sounds from flashbacks
- 6.3 Symbolic sounds
- 6.4 Sounds accompanying text on screen
- 7. Music
- 8. Multilingual soundscape
- 9. Sound audio description strategies
- 10. Conclusion
- References
- Film references
- Chapter 8. Character fixation and character description
- 1. Introduction
- 2. Naming and describing characters: State of the art
- 3. AD strategies for naming and describing characters in Inglourious Basterds
- 3.1 Naming and describing Hans Landa
- 3.2 Naming and describing Aldo Raine
- 3.3 Naming and describing Shosanna Dreyfus
- 3.4 Naming and describing the supporting actors
- 4. Conclusions
- References
- Film references
- Chapter 9. Strategies for dealing with cultural references in audio description
- 1. Cultural references in Inglourious Basterds: An introduction
- 2. Cultural references in audio description: Guidelines and research
- 3. Cultural references and AD: Possible strategies
- 3.1 Emblems and insignia
- 3.2 Newspapers and press articles
- 3.3 Real-life characters
- 3.4 Popular culture: Cinema and literature
- 3.5 Body language
- 3.6 Food and drink
- 3.7 Religious symbols
- 4. Conclusions
- References
- Film references
- Chapter 10. Gestures and facial expressions in audio description
- 1. Gestures and facial expressions in Inglourious Basterds: An introduction
- 2. Gestures and facial expressions in audio description: Overview of literature and guidelines
- 3. Classification of gestures for AD purposes and proposed strategies
- 4. Gestures and facial expressions and AD: Possible strategies
- 4.1 AD of discourse-filling gestures and facial expressions
- 4.2 AD of discourse-supporting gestures and facial expressions
- 4.3 AD of discourse-conflicting gestures
- 5. Conclusion
- References
- Film references
- Chapter 11. Secondary elements in audio description
- 1. Introduction
- 2. Attempting a functional classification
- 3. Theory revisited
- 4. Perception
- 5. Experimental analysis
- 5.1 Hypothesis
- 5.2 Corpus
- 5.3 Apparatus
- 5.4 Procedure
- 5.5 Results
- 6. Different AD strategies
- 7. Conclusions
- References
- Film references
- Index
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