Media U
How the Need to Win Audiences Has Shaped Higher Education
1st Edition
Published on 24. September 2018
352 pages
978-0-231-54660-7 (ISBN)
Description
Are homecoming games and freshman composition, Twitter feeds and scholarly monographs really mortal enemies? Media U presents a provocative rethinking of the development of American higher education centered on the insight that universities are media institutions. Tracing over a century of media history and the academy, Mark Garrett Cooper and John Marx argue that the fundamental goal of the American research university has been to cultivate audiences and convince them of its value.
Media U shows how universities have appropriated new media technologies to convey their message about higher education, the aims of research, and campus life. The need to create an audience stamps each of the university's steadily proliferating disciplines, shapes its structure, and determines its division of labor. Cooper and Marx examine how the research university has sought to inform publics and convince them of its value to American society, from the rise of football and Great Books programs in the early twentieth century through a midcentury communications complex linking big science, New Criticism, and design, from the co-option of 1960s student activist media through the early-twenty-first-century reception of MOOCs and the latest promises of technological disruption. The book considers the ways in which universities have used media platforms to reconcile national commitments to equal opportunity with corporate capitalism as well as the vexed relationship of democracy and hierarchy. By exploring how media engagement brought the American university into being and continues to shape academic labor, Media U presents essential questions and resources for reimagining the university and confronting its future.
Media U shows how universities have appropriated new media technologies to convey their message about higher education, the aims of research, and campus life. The need to create an audience stamps each of the university's steadily proliferating disciplines, shapes its structure, and determines its division of labor. Cooper and Marx examine how the research university has sought to inform publics and convince them of its value to American society, from the rise of football and Great Books programs in the early twentieth century through a midcentury communications complex linking big science, New Criticism, and design, from the co-option of 1960s student activist media through the early-twenty-first-century reception of MOOCs and the latest promises of technological disruption. The book considers the ways in which universities have used media platforms to reconcile national commitments to equal opportunity with corporate capitalism as well as the vexed relationship of democracy and hierarchy. By exploring how media engagement brought the American university into being and continues to shape academic labor, Media U presents essential questions and resources for reimagining the university and confronting its future.
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Persons
Marx John :
John Marx is professor of English at the University of California, Davis. He is the author of Geopolitics and the Anglophone Novel, 1890-2011 (Cambridge University Press, 2012) and The Modernist Novel and the Decline of Empire (Cambridge University Press, 2005). I selected him as a reader for his work in contemporary and twentieth-century Anglophone literature and his interest in the political implications of fiction.Mark Garrett Cooper is professor of film and media studies at the University of South Carolina. He is the author of Love Rules: Silent Hollywood and the Rise of the Managerial Class (2003) and Universal Women: Filmmaking and Institutional Change in Early Hollywood (2011) and the coeditor of Rediscovering US Newsfilm: Cinema, Television, and the Archive (2018).
John Marx is professor of English at the University of California, Davis. He is the author of The Modernist Novel and the Decline of Empire (2005) and Geopolitics and the Anglophone Novel, 1890-2011 (2012).
John Marx is professor of English at the University of California, Davis. He is the author of Geopolitics and the Anglophone Novel, 1890-2011 (Cambridge University Press, 2012) and The Modernist Novel and the Decline of Empire (Cambridge University Press, 2005). I selected him as a reader for his work in contemporary and twentieth-century Anglophone literature and his interest in the political implications of fiction.Mark Garrett Cooper is professor of film and media studies at the University of South Carolina. He is the author of Love Rules: Silent Hollywood and the Rise of the Managerial Class (2003) and Universal Women: Filmmaking and Institutional Change in Early Hollywood (2011) and the coeditor of Rediscovering US Newsfilm: Cinema, Television, and the Archive (2018).
John Marx is professor of English at the University of California, Davis. He is the author of The Modernist Novel and the Decline of Empire (2005) and Geopolitics and the Anglophone Novel, 1890-2011 (2012).
Content
Acknowledgments
Introduction
1. Campus Life
2. Public Relations
3. Communications Complex
4. Not Two Cultures
5. Television, or New Media
6. Cooptation
7. Student Immaterial Labor
8. By the Numbers
9. Bad English: The Culture Wars Reconsidered
10. The Long Twentieth Century
Epilogue
Notes
Index
Introduction
1. Campus Life
2. Public Relations
3. Communications Complex
4. Not Two Cultures
5. Television, or New Media
6. Cooptation
7. Student Immaterial Labor
8. By the Numbers
9. Bad English: The Culture Wars Reconsidered
10. The Long Twentieth Century
Epilogue
Notes
Index
