
The Sixties
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
Now one of the world's foremost historians provides the definitive look at this momentous time. Framing the sixties as a period stretching from 1958 to 1974, Arthur Marwick argues that this long decade ushered in nothing less than a cultural revolution--one that raged most clearly in the United States, Britain, France, and Italy. Writing with wit and verve, he brilliantly recaptures the events and movements that shaped our lives: the rise of a youth subculture across the West; the impact of post Beat novels and New Wave cinema; the sit ins and marches of the civil rights movement; Britain's surprising rise to leadership in fashion and music; the emerging storm over Vietnam; the Paris student rising of 1968; the new concern for poverty; the growing force of feminism and the gay rights movement; and much more. As Marwick unfolds his vivid narrative, he illuminates this remarkable era--both its origins and its impact. He concludes that it was a time that saw great leaps forward in the arts, in civil rights, and in many other areas of society and politics. But the decade also left deep divisions still felt today.
Written with tremendous force of insight and narrative power, The Sixties promises to be the single most important account of the single most important decade of our times.
More details
Other editions
Additional editions

Person
Marwick was appointed the first Professor of History at the Open University in 1969, after lecturing at Edinburgh for ten years. He held visiting professorships at the State University of New York at Buffalo, Stanford University, Rhodes College and the École des Hautes Études en Sciences Sociales in Paris. He was a left-wing social and cultural historian but critical of Marxism and other approaches to history that he believed stressed the importance of metanarrative over archival research. He was also a critic of postmodernism, seeing it as a "menace to serious historical study". It was also the methodology of the postmodernists to which he was opposed, "the techniques to deconstruction or discourse analysis have little value compared with the sophisticated methods historians have been developing over years".
Content
- Cover Page
- Title Page
- Contents
- Preface
- Part I. Introduction
- 1. Was There a Cultural Revolution c.1958-c.1974?
- Nostalgia, Prejudice, and Debate
- Characteristics of a Unique Era
- Sources and Methods
- 2. If So, Why?
- Problems of Explanation
- The Four Countries and their National Peculiarities
- Convergence and the Forces of Change
- Part II. The First Stirrings of a Cultural Revolution, 1958-1963
- 3. New Actors, New Activities
- The Common Currency of Change
- 'Your Teenager Is Big Business': 'The Disaffection of the Growing Generation'
- The Knitting Together of British Youth Subculture
- Affluence, Sex, and the Environment
- Blousons Noirs, Copains, Vitelloni: Youth in France and Italy
- 4. Art, Morality, and Social Relations
- Reflecting Change-and Reinforcing It
- The British 'New Wave'
- Literary Censorship
- New Modes in American, French, and Italian Novels
- 'Movies Have Suddenly Become More "Frank", "Adult", or "Dirty" '
- The Explosion of Art
- 5. Race
- The American South
- The North as well as the South, and the West, too
- Europe
- Part III. The High Sixties, 1964-1969
- 6. Acts of God and Acts of Government
- Structural Imperatives
- The Great Society, the Civilized Society, and Other Places
- Class and Education Systems
- 7. 'Pushing Paradigms to Their Utmost Limits' or 'Creative Extremism': Structuralism, Conceptualism, and Indeterminacy
- North American Gurus and Left-Bank Luminaries: 'Repressive Tolerance', the 'Global Village', and 'the Death of the Author' 288
- Art, Poetry, Music, and Architecture of the High Sixties
- Experimental Theatre: Mighty Atom of Change
- 8. Affluence, Poverty, Permissiveness
- 'Mod Cons' and Consumerism in Italy and France
- Poverty in the United States
- Family and Other Affairs
- 9. Beauty, Booze, and the Built Environment
- The Truth about Beauty
- Pick-Me-Ups and Pick-Ups
- Pedestrian Precincts and Swinging City Centres
- 10. National and Other Identities
- Les Annees Anglaises?
- Hippies, Yippies, and other Beings
- British and American 'Progressives' and 'Do-Gooders'
- Windows on the Nations
- 11. Freedom, Turbulence, and Death
- Confrontation and Violence
- Free Speech and Vietnam
- Italy, France, and Britain
- Civil Rights and Urban Riots in the USA
- 12. 1968 (and 1969)
- 1968: A Date to Remember?
- Italy Hots Up: November 1967-April 1968
- The Events in Paris
- Italy, 1968-1969: The 'Hot Autumn'
- Echoes from the Storm: Great Britain
- America's Annus Horribilis
- Part IV. Everything Goes, and Catching Up, 1969-1974
- 13. Women's Turn
- From Civil Rights and Student Protest to Women's Liberation and Fundamentalist Feminism
- The Battles Over Contraception and Abortion
- Divorce and Equal Rights
- 14. Full Effrontery
- Gay Liberation
- Uncut Film and Superrealism in Art
- Bullets, Bombs, and a Break-in
- 15. Living Life to the Full
- Incomes and Aspirations
- Who Cares?
- Going Out
- Part V. Conclusion
- 16. The Consummation of a Cultural Revolution
- Notes
- Note on Sources
- eCopyright
System requirements
File format: ePUB
Copy protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our ebook Help page.