
Textile Fiber Microscopy
Description
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Textile Fiber Microscopy offers an important and comprehensive guide to the study of textile fibers and contains a unique text that prioritizes a review of fibers' microstructure, macrostructure and chemical composition. The author - a noted expert in the field - details many fiber types and includes all the possible fiber shapes with a number of illustrative micrographs. The author explores a wealth of topics such as fiber end uses, fiber source and production, a history of each fiber and the sustainability of the various fibers.
The text includes a review of environmentally friendly fibers and contains information on the most current fiber science by putting the focus on fibers that have been mechanically or chemically recycled, for use in textile production. The author also offers an exploration of issues of textile waste and the lack of textile recycling that can help public policymakers with ways to inform and regulate post-industrial and post-consumer textile waste issues. This vital guide:
* Contains an accompanied micrograph for many fibers presented
* Includes information on how fiber microstructure is connected to fabric properties and how it affects the end use of fabrics
* Offers a review of the sophistication of textile fibers from a scientific point of view
* Presents a comparative textile fiber review that is appropriate for both for students, textile experts and forensic scientists
Written for students and professionals of apparel design and merchandising, and forensic scientists, Textile Fiber Microscopy presents an important review of textile fibers from a unique perspective that explores fibers' microstructure, macrostructure and chemical composition.
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Person
Ivana Markova, PhD., is Assistant Professor at San Francisco State University. She is currently working on research testing new cellulosic fibers as possible reinforcement materials for composites.
Content
Preface ix
Acknowledgments xi
Introduction xiii
1 Natural Cellulosic Fibers 1
1.1 Seed Fibers 1
1.1.1 Cotton 1
1.1.2 Organic Cotton 4
1.1.3 Kapok Fibers 6
1.1.4 Poplar Fibers 8
1.1.5 Willow Fibers 9
1.1.6 Coir Fibers 11
1.2 Bast Fibers 12
1.2.1 Linen 12
1.2.2 Ramie 16
1.2.3 Hemp 17
1.2.4 Bamboo 21
1.2.5 Jute 22
1.2.6 Fiber Size 22
1.2.7 Nettle 22
1.2.8 Bast Fiber in Its Historical Context 26
1.3 Leaf Fibers 26
1.3.1 Sisal 27
1.3.2 Henequen 27
1.3.3 Abaca 27
1.3.4 Pineapple Leaves 28
References 28
2 Animal Fibers 31
2.1 Wool 31
2.1.1 Cuticle 32
2.1.2 Scale Pattern Type (Animal Hair) 33
2.1.2.1 Mosaic 34
2.1.2.2 Wave 34
2.1.2.3 Chevron 34
2.1.2.4 Petal 36
2.1.3 Types of Scale Margins 36
2.1.4 Cortex 36
2.1.5 Medulla 36
2.1.5.1 Lattice 37
2.1.5.2 Simple Unbroken 37
2.1.5.3 Interrupted 38
2.1.5.4 Fragmental 38
2.1.5.5 Ladder Type of Medulla 38
2.1.6 Fiber Size 39
2.1.7 Fiber Morphology 39
2.1.7.1 Fiber Absorbency 41
2.1.7.2 Fiber Shrinkage 41
2.1.7.3 Wool Varieties 42
2.1.8 Merino Wool and Other Fine Wool Fibers 43
2.1.8.1 Normal Fleece Wool 44
2.1.8.2 Kemp Fibers 44
2.2 Luxury Fibers 45
2.2.1 Cashmere 46
2.2.2 Yangir 49
2.2.3 Mohair 49
2.2.4 Vicuna 54
2.2.5 Camelid Fibers 55
2.2.6 Alpaca 57
2.2.7 Llama 61
2.2.8 Shahtoosh 62
2.2.9 Yak 62
2.2.10 Other Identification Techniques to Note 63
2.3 Silk 66
2.3.1 Peace or Ahimsa Silk 69
2.3.2 Spider Silk 71
References 73
3 Fur Fibers 77
3.1 Animal Fibers 77
3.1.1 Scale Cast 78
3.1.2 Cuticle Scales 79
3.1.3 Rabbit, Hare, and Angora Rabbit Fibers 79
3.1.4 Angora Hair 81
3.2 Other Fur Fibers 84
3.2.1 Mink and Ermine 86
3.2.2 Kolinsky Mink 88
3.2.3 Raccoon Dog 88
3.2.4 Red Fox 89
3.3 Faux Fur 89
3.4 Dog and Cat Fur 94
3.4.1 Karakul 96
3.4.2 Optical Microscopy 97
3.4.3 Measuring Hair Length 98
References 98
4 Regenerated Cellulosic and Protein Fibers 101
4.1 Regenerated Cellulosic Fibers 101
4.1.1 Viscose Rayon 101
4.1.2 Bamboo Rayon 103
4.1.3 High Wet Modulus (HWM) Rayon 104
4.1.4 Cuprammonium Rayon 106
4.1.5 Lyocell Fibers 107
4.1.6 A Review of Cross-sectional Shapes of Fibers 108
4.1.7 Cross-sectional Fiber Shape and Luster 109
4.1.8 Acetate Fibers 111
4.2 Regenerated Protein Fibers 113
4.2.1 Soybean Fibers 114
4.2.2 Milk Fibers 117
4.2.3 Composite Cellulose Fibers 117
References 120
5 Synthetic Fibers 123
5.1 Nylon 123
5.2 Polyester 124
5.3 Luster 126
5.4 Delustering 126
5.5 Longitudinal View 128
5.6 Variety of Cross-sectional Shapes 128
5.7 Comparison Analysis 131
5.8 Fibers in Carpeting 133
5.9 Fabric Tenacity 134
5.10 Performance Textiles 135
5.11 Acrylic Fibers 136
5.12 Fiber Cross-sections 137
5.13 Fiber Longitudinal View 138
5.14 Spandex 141
5.15 Olefin 143
5.16 Fiber Melting Point 144
5.17 Microfibers 146
5.17.1 Applications of Microfibers 150
5.17.2 Imitation Leather/Suede 157
References 159
6 Nanofibers 161
6.1 Nanotechnology in Textiles 161
6.1.1 Production of Nanofibers 163
6.1.2 Uses of Nanofibers 163
6.1.3 Nanowebs 164
6.1.4 Nanocoatings 166
6.1.5 Nanoparticles 167
6.1.6 Electrically Conductive Fibers 168
6.1.7 Porous Surface Fibers 169
6.1.8 Microscopy 170
References 170
7 Recycled Fibers 173
7.1 Fiber Recycling 173
7.2 Recycled Polyester via Chemical Recycling 173
7.2.1 Microscopic Appearance 174
7.3 Recycled PET via Mechanical Recycling 174
7.3.1 Microscopic Images 176
7.4 Recycling Nylon 177
7.5 Recycled Cotton 177
7.5.1 Microscopic Appearance 179
7.6 Recycled Wool 179
7.6.1 Microscopic Appearance 180
7.7 Other Recycling Methods - Using a Rayon Manufacturing Method to Recycle Fibers - A Dissolution-Based Recycling Method 181
7.7.1 Microscopic Appearance 182
7.7.2 Recycling Blends 182
References 184
8 Historic Fibers 187
8.1 Textile Fibers and History 187
8.1.1 General Information - Ancient Textiles 188
8.1.2 Greek Textiles 188
8.2 The Use of Hemp in Central Europe 194
8.3 Egyptian Textiles 194
8.3.1 Middle Kingdom Linen Cloth 195
8.3.2 Romano-Egyptian Textiles 196
References 198
Index 201
Introduction
Imagine a flannel robe against your skin, so soft that you can hardly feel its touch. Tightly wrapped, you are at ease, surrounded by comfort and warmth. The softness your robe provides is born of the cotton fibers making up the flannel fabric. Cotton fibers are flexible, convoluted strands which, when woven together, create a material perfectly suited for wrapping around the body. While you may be able to feel the effects of the cotton fibers in your flannel robe, they are impossible to see with the naked eye, and their coiled shape is visible only under a microscope.
Microscopy is an irreplaceable tool in the identification of textile fibers. With a powerful lens, it is possible to observe the characteristics of individual textiles. While the microscope has been around for some time, students still find the process of seeing the textile world up close fascinating. Dating back to the seventeenth century, the microscope has evolved to become an important tool in scientific observation. Cornelis Drebbel, Zacharias Janssen, Galileo Galilei, and Robert Hooke are some of the scientists credited with the invention and development of microscopes. Robert Hooke's book, Micrographia, published in 1665, depicted his microscopic observations and was one of the best sellers of that time. However, the adaptation of microscopy was greatly impacted by Antonie van Leeuwenhoek (1632-1723), a Dutch fabric merchant. Referred to as "the Father of Microbiology," he was neither a biologist nor the inventor of the microscope, though he is responsible for some of the greatest improvements to the tool. Prior to Leeuwenhoek's microscopes, microscopic images were distorted and hardly captured the details of what was observed. With the release of his improved microscope, biologists and scientists of the time hardly believed what could be seen. He handmade each microscope and inspired the creation of some of the first hand-held microscopy tools (see Figure 1). Most notably, Leeuwenhoek is known for keeping a detailed record of his findings. He drew sketches of tiny organisms, which he titled animalcules that we call microorganisms today. Leeuwenhoek and his microscope were the first to explore the microscopic aspects of the world we live in, studying everything from the size of bacteria to the blood flow in small vessels [1]. Antonie van Leeuwenhoek's work was amazing, but as with any new scientific observation, true biologists were skeptical.
Figure 1 Antonie van Leeuwenhoek started his career as fabric merchant and later inspired the creation of hand-held microscopy.
Source: Reproduced with permission of National Academy of Sciences.
When Leeuwenhoek was only 16, his mother arranged for him to begin an apprenticeship with a Scottish cloth merchant in Amsterdam. This became the first place he used a simple magnifying glass. While it could only magnify 3×, he was absolutely fascinated by the viewing and identification of fabrics and fibers. The fabrics were yarn-type and woven, and Leeuwenhoek learned that a close examination of a fiber under a magnifying glass could reveal a great deal about the fabric's properties.
A cloth merchant's primary responsibility was to closely check fabrics and determine their quality and value. In the seventeenth century, there were no manufactured or synthetic fibers. The only fabrics on the market were made of natural cellulosic or protein fibers. The cellulosics seen were primarily linen, cotton, hemp, nettle, and jute, and the proteins were wool and silk. To tell cotton from linen, or high-quality wool from low-quality wool, a cloth merchant needed a closer look. Antonie van Leeuwenhoek's curiosity grew out of this textile observation process. He would inspect fabrics for damage by mold or other infestations, or note the quality of dying. If he finds that a dye had not fully penetrated through the yarn or fibers, then the quality of the fabric would be deemed worthless. Becoming a cloth merchant required a deep understanding of textile fabrics, typically acquired over time through an apprenticeship. Working with textiles was a challenging job, and required proper training, even in the seventeenth century. The experience Antonie van Leeuwenhoek acquired in his lifetime allowed him to construct lenses and microscopes that permanently changed microscopy. While he never revealed his methods of creation, one is sure to remember that he was not only a great tradesman but also an amazing scientist and craftsman.
The microscope, as we know it today, has greatly advanced because of Leeuwenhoek, with amazing improvements in the nineteenth century, including the development and adaptation of the lens. An important contributor to lens development is Carl Zeiss, a German mechanic who partnered with scientists Ernst Abbe, a physicist, and Otto Schott, a glass chemist to create a better resolution technique. The heightened resolution improved the quality of microscopes, inspiring extensive improvements during the past 200?years.
1 Types of Microscopes Used in Science
Today, the microscope is commonplace, a simple instrument present in every laboratory. However, microscopes have come a long way, and their viewing and functioning properties have become quite complex. A variety of microscopes are used for specific purposes in scientific laboratories. Most of these use photons to form clear images and are called light microscopes. Electron microscopes, specifically the scanning electron microscope (), are used in large-scale, full-service laboratories. These microscopes have a massive range of magnification allowing scientists to analyze fibers in a way that light microscopes cannot. SEMs have a very high resolving power and the ability to perform elemental analyses when equipped with an energy- or wavelength-dispersive X-ray spectrometer.
Microscopes can be differentiated by comparing the images they generate. The physical principle utilized by a microscope is equally as important, as it will usually determine why fiber images differ when viewed using different microscopes. Different microscopes visualize different physical characteristics of the sample. Resolution and magnification, which will be explained later in this section, are to be taken into consideration. The most common magnifications used by students to enlarge a fiber image are 4×, 10×, 40×, and 100×.
1.1 Stereomicroscope
The stereomicroscope is one of the simplest and easiest types of microscopes to use. It works by bouncing the light off the surface of the specimen rather than transmitting it through a slide. They are primarily suitable for observations not requiring high magnification. Its low magnification power (ranging from 2.5× to 100×) is due to its design. This microscope's illuminators can provide transmitted, fluorescence, brightfield, and darkfield reflected imagery, which allows the viewing of microscopic features that may otherwise be invisible.
With the stereomicroscope, there is a large gap between the specimen and the objective lens, which provides an upright, unreversed image. This space allows for better specimen manipulation and for a basic microscopic analysis to serve as the perfect preparation for a future, more detailed, microscopic examination and analysis. One important advantage of this scope is that the specimen does not require any special or lengthy preparation prior to observation. The specimen is simply placed under the lens and observed as needed.
The stereomicroscope is well suited for use in the preliminary identification of fibers, yarn, and weave structure when observing dated textile pieces for conservation practice. In general, textile fibers must be extracted from a yarn for proper observation and identification, but in viewing and identifying old textiles, such as tapestries or fabrics preserved for many years, removing fibers would damage the piece. With this microscope, the entire untouched, unraveled piece may be viewed without damage. In addition, this piece of equipment can be attached to a separate boom stand, allowing movement over a large object for examination. If a conservationist wants to examine the fibers of a new museum tapestry piece, a video camera may be attached to this microscope for proper record-keeping. Later chapters will include the conservation of textiles.
1.2 Compound Microscope
The compound microscope, also known as the optical or light microscope, uses light and a series of lenses to magnify particularly small specimens. Compound microscopes were invented in the seventeenth century and vary greatly in simplicity and design. These microscopes can be very complex and are a considerable improvement from the aforementioned stereomicroscope. While stereomicroscope can only magnify up to around 100×, compound microscopes rise in resolution and magnification up to 1300×. Today, the use of reflected light in microscopy outweighs the use of transmitted light. Regarding fiber examination, light microscopes are suitable for the analysis of fiber anatomy in hair fibers, such as the different types of medulla.
1.3 Polarizing Light Microscope
The polarizing light microscope is undeniably an advanced and versatile piece of equipment. It is normally equipped with a round, rotating stage, a slot for the insertion of compensators, and a nosepiece. It stands out from other microscopes due to its preciseness in both qualitative and quantitative fiber analyses. It embodies the functionality of normal light...
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