
Bridging Art, Design and Technology: My Lifetime Work
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
This book delivers a chronological survey of the author's work. He is a pioneer in computer graphics/art, user interface/user-interaction design, information-oriented graphic design, and visible-language experiments. Aaron Marcus was one of the first to use computer technology in art, virtual reality, experimental visible languages, and information visualization in the early days of digital media.
One part absorbing autobiography, one part designer monograph, the book tells the story of the early days of computer-based graphic design, fully supported with compelling images and backstories behind Marcus's innovative HCI/user-experience designs and solutions for brands like Apple, HP, Microsoft, Motorola, Oracle, Sabre, Samsung, SAP, US Federal Reserve Bank, Visa, and more.
Examples provide a background/context, process, and results of work undertaken by the author and his firm for major companies worldwide. The text and figures reveal a personal philosophy and history of art, design, computers, and technology across 70 years.
More details
Other editions
Additional editions

Person
Aaron Marcus is an award-winning graphic designer. computer artist, and former faculty member of Princeton, Yale, Hebrew University/Jerusalem, and University of California/Berkeley. His artwork is in the collection of the San Francisco Museum of Modern Art, the Victoria and Albert Museum/London, and the Computer History Museum/Mountain View. He has published 60 books and 300 articles. He founded Aaron Marcus and Associates in 1982. He has been a Fellow of the East-West Center, Honolulu, and a Staff Scientist at Lawrence Berkeley Laboratory. For 11 years he led/co-chaired the Design, User Experience, and Usability conference, which met worldwide. He is a Fellow of the American Institute of Graphic Arts, a member of the CHI Academy, and was named one of ICOGRADA's Master Designers of the Twentieth Century, 2000.
Content
Preface.- Origins in Omaha.- Beginnings in Art and Design.- Studying Physics at Princeton, Reaching Escape Velocity to Yale.- Another World: My Three Years in Graduate School.- Wandering in Academia for 13 Years.- Princeton and Beyond.- Turning Design Theory into Practice at AM+A.- Surviving the Recessions.- Learning to Run a Virtual Office.- Developing Mobile Prototypes Using Persuasion Design.- Looking Backward, Looking Forward.- Appendix 1: AM+A Associates, Staff, Interns, and Contractors.- Appendix 2: AM+A Clients.
System requirements
File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.