
Platinotype
Description
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The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer.
The book includes:
A list of supplies and equipment
A detailed chemical glossary
A Quick-start section in the Preface
Summary sheets and workflows for each step of the process
Instructions for making traditional negatives with Pyro PMK and digital negatives
Explanation of the chemistry and dynamics of paper, and how to use buffered papers
Instructions for controlling hydration processes and humidity
Instructions for preparing each chemical solution needed for the process
Discussion about the aesthetics of the platinum/palladium print
Explanation of the relationships between light, image, and expression
A detailed troubleshooting list
Recommendations from conservators about processing, handling, and conservation
Contemporary artists using the printing-out platinum/palladium process.
Learning how to make platinum/palladium prints has been cloaked in a mystique of difficulty. Platinotype presents the process as a set of clearly explained and defined steps. Like other books in the series, Platinotype is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.
Reviews / Votes
'Simple formulae and excellent directions guide you through each step in the process. The book will be a valuable resource for a wide readership. More than a technical manual, Platinotype lays out a creative and philosophic practice - revealed from lens to paper.'Meg Partridge, Director, The Imogen Cunningham Trust
'Elegantly written and explained for the novice, advanced amateur, or professional alternative process photographer.'
Jim Patterson, Photochemist and Experimenter in alternative photography "Simple formulae and excellent directions guide you through each step in the process. The book will be a valuable resource for a wide readership. More than a technical manual, Platinotype lays out a creative and philosophic practice-revealed from lens to paper."
Meg Partridge, Director, The Imogen Cunningham Trust
"Elegantly written and explained for the novice, advanced amateur, or professional alternative process photographer."
Jim Patterson, Photochemist and Experimenter in alternative photography
More details
Other editions
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Persons
Dr. Mike Ware graduated in chemistry at the University of Oxford (1962). He is an Honorary Fellow in Chemistry, University of Manchester, UK, and a recipient of the Hood Medal of the Royal Photographic Society. His researches on improving historic photographic processes have had a profound impact on creative and historical aspects of photography, and are described in 70 publications. He has consulted for national museums and galleries, exhibited his personal photographic work and conducted workshops worldwide. In 2016 he was awarded the Special Recognition of the American Institute for Conservation.
Content
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