Process Cinema
Handmade Film in the Digital Age
1st Edition
Published on 11. July 2019
569 pages
978-0-7735-5810-6 (ISBN)
Description
Exploring new and experimental practices with celluloid film in the digital age.
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07/2019
McGill-Queen's University Press
€178.27
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Persons
MacKenzie Scott:
Scott MacKenzie is professor of film and media at Queen's University.Marchessault Janine:
Janine Marchessault is professor of cinema and media arts at York University.Scott MacKenzie is associate professor of film and media at Queen's University. Janine Marchessault is professor of cinema and media at York University.
Scott MacKenzie is professor of film and media at Queen's University.Marchessault Janine:
Janine Marchessault is professor of cinema and media arts at York University.Scott MacKenzie is associate professor of film and media at Queen's University. Janine Marchessault is professor of cinema and media at York University.
Content
- Cover
- Process Cinema
- Title
- Copyright
- Contents
- Acknowledgments
- Introduction: Process Cinema: Handmade Film in the Digital Age
- Part One Histories of Handmade Film
- 1 Twenty-Four Signatures per Second: Direct Animation and Gestural Repetition
- 2 At the Limits of Cinema: Marie Menken's Notebook
- 3 Artisanal Filmmaking in Australia
- Part Two Process as Practice
- 4 Self-Skilling and Home-Brewing: Some Reflections on Photochemical Film Culture
- 5 After: A Beginner's Guide to Alchemy
- 6 How and Why: A Few Notes Concerning Production Techniques Employed in the Making of My Darkroom Films
- 7 Peter Tscherkassky Manufractures Two Minutes of (Im)Pure Cinema
- 8 Echoes of the Earth: Handmade Film Ecologies
- 9 Signs of the Three: Process and Composition in Works by Bruce Elder, Izabella Pruska-Oldenhof, and Blake Williams
- 10 Notes on the Materiality of Language in the Synthetic Sound Film
- Part Three Labs and Collectives
- 11 The Artist-Run Film Labs
- 12 Toward Artisanal Cinema: A Filmmakers' Movement
- 13 Impalpable Boundary, Invisible Common: From Ciné-Clubs to Artist-Run Film Labs in Korea
- 14 A Collective Charge: Collectif double négativ/Double Negative Collective
- 15 A Short Overview of the Production and Distribution of Alternative Filmmaking in France
- 16 Letter to Frédérique Devaux concerning Isou's
- 17 Experimental? It's Not My "Type"!
- 18 A Dangerous Encounter: Lab Laba-Laba and the New Order's Archive of Authoritarianism
- Part Four Pedagogies
- 19 The Materiality of Abstract Animation: The Discovery and Analysis of an Unreleased Film by Gordon Webber
- 20 "Sight Unseen": The Ethos of Handmade Films
- 21 Your Film Farm Manifesto of Process Cinema
- 22 Chemistry Class: Jeffrey Paull, the Escarpment School, and the Legacy of Process Cinema at Sheridan College
- 23 The Sound We See: Growing a Global Slow Film Movement
- 24 A Travelogue in Two Parts: Hand-Processing in the Sahara and Finding no.w.here
- Part Five Counter Cinemas
- 25 Some Recipes for Disaster in the Films of Deirdre Logue and Helen Hill
- 26 The Immediate Sensuous: The Process Cinema of Jennifer Reeves
- 27 Tearing Up the Screen: Pia Arke's Post-Colonial Processes
- 28 Projection as Performance: Recent Directions in Canadian Expanded Cinema
- Part Six Digital Interfaces
- 29 Practice, Interface, and Outcome: Two Interviews in Helsinki
- 30 Dismantling the Cinema: Restraining Presentness with Locative Media and Experimental Architecture
- 31 Writing the World: Medium Specificity and Avant-Garde Film in the Digital Age
- 32 Hardware Hacking, Software Modding, and File Manipulation: Process Cinema in the Digital Age
- Illustrations
- Contributors
- Index
