
Ana M. López
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Content
Acknowledgments
Foreword
Ignacio M. Sánchez Prado
Introduction: At the Interface and Beyond
Laura Podalsky and Dolores Tierney
Part 1. Latin American Cinema/s: The Transnational Turn
Editors' Introduction
1. A Cinema for the Continent (1994)
2. National History, Transnational History (1998)
3. Facing Up to Hollywood (2000)
4. Early Cinema and Modernity in Latin America (2000)
5. Film and Radio Intermedialities in Early Latin American Sound Cinema (2017)
6. From Hollywood and Back: Dolores Del Rio, a (Trans)national Star (1998)
7. The São Paulo Connection: The Companhia Cinematográfica Vera Cruz and O Cangaceiro (1998)
8. Crossing Nations and Genres: Traveling Filmmakers (2000)
Part 2. Of Modes and Genres
Editors' Introduction
9. Tears and Desire: Women and Melodrama in the "Old" Mexican Cinema (1994)
10. Our Welcomed Guests: Telenovelas in Latin America (1995)
11. Of Rhythms and Borders (1997)
12. Mexico (2012)
13. Before Exploitation: Three Men of the Cinema in Mexico (2009)
14. (Not) Looking for Origins: Postmodernism, Documentary, and America (1993)
15. Revolution and Dreams: The Cuban Documentary Today (1992)
16. The Battle of Chile: Documentary, Political Process, and Representation (1990)
17. At the Limits of Documentary: Hypertextual Transformation and the New Latin American Cinema (1990)
18. A Poetics of the Trace (2014)
Part 3. Intersections: Race, Ethnicity, and Gender
Editors' Introduction
19. Not Only a Question of Color: Afro-Latino/a Images in Latin American Cinema Today (1992)
20. African Roots: Images of Black People in Cuban Cinema (1988)
21. Sergio Giral on Filmmaking in Cuba (1986-1987)
With Nicholas Peter Humy
22. Are All Latins from Manhattan? Hollywood, Ethnography, and Cultural Colonialism (1991)
23. Greater Cuba (1996)
24. I (Also) Love Ricky: The Oft-Forgotten Cuban-in-the-Text (2012)
Part 4. Final Thoughts, Metacritical Reflections
25. López on López: Liminal Words (2012)
"Siete Veces Ana": An Afterword
Nilo Couret
Notes
Works Cited
Index
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