
A Responsive Rhetorical Art
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Content
- Intro
- Contents
- Acknowledgments
- Introduction: Enlivening Early Rhetorical Uptake alongside Others
- Part 1: Situating A Responsive Rhetorical Art
- Chapter 1: Tensions and Challenges Inherent in the Early Uptake of Public Life
- Chapter 2: Defining a Responsive Rhetorical Art
- Part 2: Actors Taking Up A Responsive Rhetorical Art
- Chapter 3: A Rhetorical Approach to Publicly Responsive Research Methods
- Chapter 4: Community Actors Taking Up a Responsive Rhetorical Art
- Chapter 5: Supporting Rhetoricity in the Face of a Stalled Project
- Part 3: A Responsive Rhetorical Art: Why Now?
- Chapter 6: Gambian American College Activists Conjure an Alternative to Aid-to-Africa Discourse / Elenore Long, Nyillan Fye, and John Jarvis
- Chapter 7: Disciplinary Arguments That Test a Responsive Rhetorical Art
- Part 4: Educators Helping Students And Institutions Support A Responsive Rhetorical Art
- Chapter 8: Can We Make Inquiry Professional? Responsive Arts and the Rhetorical Education of Future Public Workers
- Chapter 9: The Nipmuck Chaubunagungamaug People Do Exist: Imagining the What Next-An Experimental Alternative to Evidentiary Legal Discourse / Elenore Long, John Jarvis, and D. Deerheart Shaughnessy
- Chapter 10: Untangling Empowerment Knots: Tooling a Responsive Rhetoric / Elenore Long, Roda Nyapuot Kuek, and Jennifer Clifton
- Part 5: A Practical Guide
- Chapter 11: Enacting a Responsive Rhetorical Art
- Appendix 1: Phase 1: Hillary's Inquiry into Institutional Logics
- Appendix 2: Sample What-if Module for Interns' Website
- Notes
- Works Cited
- Index
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