Designing Interior Architecture

1 - Foreword by Simon Hamilton [Seite 8]
2 - Foreword by Kees Spanjers [Seite 9]
3 - IN BETWEEN - INTERIOR DESIGN BETWEEN ARCHITECTURE AND DESIGN [Seite 10]
3.1 - Public Image [Seite 10]
3.2 - Professional Profile [Seite 17]
3.3 - Interior Design as Corporate Design [Seite 20]
3.4 - The Social Dimension of Interior Design [Seite 29]
3.5 - Product Design [Seite 32]
3.6 - Integration [Seite 32]
3.7 - Colour [Seite 32]
3.8 - Material [Seite 32]
3.9 - Values [Seite 40]
3.10 - Trends [Seite 42]
3.11 - Interior Design is a Reflection of the Era [Seite 49]
3.12 - Building Types [Seite 52]
4 - DEVELOPING A DISCIPLINE: INTERIOR DESIGN EDUCATION AND RESEARCH [Seite 62]
5 - SUSTAINABILITY: INDUSTRY STANDARDS AND INNOVATION [Seite 66]
5.1 - Sustainability Through Industry Standards [Seite 67]
5.2 - Rating Systems [Seite 69]
5.3 - Evaluation [Seite 72]
5.4 - Sustainability Through Innovation [Seite 75]
5.5 - Building Small and the Influence of Economy and Ecology [Seite 76]
5.6 - Case Study: Four Small Projects, New York, USA [Seite 80]
5.7 - Modular Means [Seite 81]
5.8 - Impermanence [Seite 83]
5.9 - Case Study: Illy Caffè [Seite 85]
5.10 - Case Study: Toolbox, Turin, Italy [Seite 87]
5.11 - The Performative: Flexibility to Multifunctionality [Seite 87]
5.12 - Adaptive Re-use [Seite 97]
6 - YOU HAVE TO BE INSPIRED... FASHION, MUSIC, ART AND SCIENCE AS DESIGN INSPIRATION [Seite 98]
6.1 - What Does Design/Designing Mean and What Do We Understand by Qualities? [Seite 98]
6.2 - Inspiration: Between Emotion and Function [Seite 101]
6.3 - You Have to Be Inspired... by Music [Seite 101]
6.4 - You have to Be Inspired... by Art [Seite 102]
6.5 - You have to Be Inspired... by Fashion [Seite 110]
6.6 - You have to Be Inspired... by Science [Seite 114]
7 - QUALITY OF LIFE [Seite 120]
7.1 - Quality - the Quiet Revolution [Seite 120]
7.2 - The Quality of Space: Order, Freedom, Structure and Pathways [Seite 128]
7.3 - Micro-stress Factors in Hotel Design: Do It Simple Do It Stupid [Seite 132]
7.4 - Living: From the Living Room to the Skyscraper and Back [Seite 136]
7.5 - The Quality of Life and Work: The Glory of Bore [Seite 142]
7.6 - Emotionality: Anthings Goes, but... [Seite 150]
8 - TRADITIONAL MATERIALS [Seite 156]
8.1 - Glass [Seite 157]
8.2 - Wood [Seite 161]
8.3 - Metals [Seite 172]
9 - ROADS OF MATERIAL INNOVATION [Seite 176]
9.1 - Mood [Seite 176]
9.2 - Protection [Seite 180]
9.3 - Wellbeing [Seite 181]
9.4 - Acoustics [Seite 182]
9.5 - Performance [Seite 182]
9.6 - Dynamic Decorative Surfaces [Seite 182]
9.7 - Personalisation [Seite 185]
9.8 - Responsible [Seite 185]
10 - SPACE-DEFINING SURFACES: FLOORS, WALLS, CEILINGS [Seite 186]
10.1 - Material Light [Seite 187]
10.2 - Light Concrete [Seite 193]
10.3 - Spinning a Yarn [Seite 193]
10.4 - Reclamation [Seite 193]
11 - WOVEN MATERIALS: FROM WOOL FELT TO SMART TEXTILES [Seite 198]
11.1 - Wool [Seite 199]
11.2 - Three-dimensional Textiles [Seite 201]
11.3 - Laser-cut Textiles [Seite 201]
11.4 - Wooden Textiles and Textile Wood [Seite 201]
11.5 - Metallic Fabrics [Seite 203]
11.6 - Smart Hybrid Textiles [Seite 203]
12 - NANOTECHNOLOGY IN INTERIOR DESIGN [Seite 204]
12.1 - What is Nanotechnology? [Seite 205]
12.2 - (Almost) Self-Cleaning [Seite 209]
12.3 - Improved Indoor Air Quality [Seite 211]
12.4 - High-performance Low-thickness Insulation [Seite 211]
12.5 - Thermal Nanomaterials for Reducing Heating and Cooling Requirements [Seite 211]
12.6 - Elegant and Visionary Architectural Forms Using UHPC [Seite 212]
12.7 - Other Applications [Seite 212]
12.8 - Energy-efficient Light: Super-flat and Flexible [Seite 212]
12.9 - Paints and Light [Seite 214]
12.10 - Information Technology [Seite 214]
13 - THE AESTHETIC QUALITIES OF LIGHT, AIR AND ACOUSTICS [Seite 216]
13.1 - Light - a Sensual Building Material [Seite 217]
13.2 - Qualities of Light: from Richard Kelly to the Present Day [Seite 220]
13.3 - Light is Emotion [Seite 226]
13.4 - Light Sceneries [Seite 230]
13.5 - Cultural Aspects of Light [Seite 234]
13.6 - Light for Senior Living [Seite 237]
13.7 - Lighting Design and a Sense of Identity [Seite 239]
13.8 - Indoor Air - an Invisible Design Element [Seite 241]
13.9 - Components of Indoor Air Concepts [Seite 241]
13.10 - Indoor Air and Sustainability [Seite 242]
13.11 - Indoor Air and Interior Design [Seite 242]
13.12 - Acoustics - an Aesthetic Design Element [Seite 244]
13.13 - Facets of Acoustics [Seite 244]
13.14 - Acoustics and Well-Being [Seite 246]
13.15 - Acoustics is Communication [Seite 248]
13.16 - Acoustic Design and Interior Architecture [Seite 250]
13.17 - Examples of the Use of Technical Installations as Design Elements: [Seite 250]
13.18 - SPIEGEL Group Canteen in Hamburg, Germany [Seite 253]
13.19 - Interval Foyer of the Palace of International Forums in Tashkent, Uzbekistan [Seite 254]
14 - MEDIA [Seite 256]
14.1 - Media and the Fine Arts [Seite 258]
14.2 - At Home in Cyberspace [Seite 262]
14.3 - Topological Transformations and Interspaces [Seite 264]
14.4 - From Interface to Interspace [Seite 266]
14.5 - From Intelligent Technology to Intelligent Typology [Seite 272]
15 - INFORMATION TECHNOLOGY [Seite 276]
15.1 - Smart Home [Seite 278]
15.2 - Standardisation and the User Experience [Seite 279]
15.3 - Residential Applications [Seite 280]
15.4 - Public and Commercial Environments [Seite 281]
15.5 - Sense and Simplicity [Seite 286]
16 - TECHNICAL SYSTEMS [Seite 288]
16.1 - Heat [Seite 289]
16.2 - Electricity and Signals [Seite 290]
16.3 - Water, Gases, Air [Seite 290]
16.4 - Heat Systems [Seite 290]
16.5 - Heat Production [Seite 290]
16.6 - Heat Distribution [Seite 291]
16.7 - Heat Emission [Seite 292]
16.8 - Cooling [Seite 292]
16.9 - Cooling Systems [Seite 292]
16.10 - Distribution and Provision of Cool Air [Seite 293]
16.11 - Ventilation Systems [Seite 293]
16.12 - Humidity and Temperature [Seite 294]
16.13 - Air Change Rate [Seite 295]
16.14 - Health and Comfort Levels [Seite 294]
16.15 - Basic Types of Ventilation and Air-Conditioning Systems [Seite 295]
16.16 - Decentralised versus Centralised Air-Conditioning Systems [Seite 296]
16.17 - Duct Network [Seite 297]
16.18 - Room Ventilation Flow Systems [Seite 297]
16.19 - Air Diffusers [Seite 297]
16.20 - Solar Protection [Seite 298]
16.21 - Active versus Passive Solar Protection [Seite 298]
16.22 - Wastewater Systems [Seite 298]
16.23 - Gas Installations [Seite 299]
16.24 - Wasser Purification [Seite 299]
16.25 - Hot Water and Drinking Water Installations [Seite 299]
16.26 - Electrical Installations [Seite 300]
16.27 - Centralised Energy Production and Distribution [Seite 300]
16.28 - Decentralised Energy Production [Seite 300]
16.29 - Transfer Points in Buildings [Seite 300]
16.30 - Putting It All Together: Measuring, Control and Regulation Systems [Seite 301]
16.31 - The Field Level [Seite 301]
16.32 - The Automation Level [Seite 301]
16.33 - The Management Level [Seite 301]
16.34 - Fire Protection [Seite 302]
16.35 - The Fire Protection Concept [Seite 302]
16.36 - Fire Protection - Building Structure and Construction [Seite 303]
16.37 - Fire Protection - Technical Systems and Installations [Seite 303]
17 - BUILDING IN EXISTING FABRIC [Seite 304]
17.1 - Barrier-free Access [Seite 305]
17.2 - Conservation of Historic Buildings [Seite 310]
17.3 - Two Different Approaches to Conservation: Neues Museum and Alte Nationalgalerie, Berlin, Germany [Seite 321]
18 - PROJECT MANAGEMENT [Seite 326]
19 - INTERIOR DESIGN WITHOUT FRONTIERS [Seite 330]
19.1 - Challenges [Seite 330]
19.2 - Prerequisites [Seite 332]
19.3 - Services [Seite 332]
19.4 - First Steps [Seite 334]
19.5 - Outlook [Seite 334]
20 - HOW INTERNATIONAL DO WE WORK? [Seite 339]
20.1 - Afterword and Acknowledgements [Seite 348]
20.2 - Books and Journals, Trade Fairs, Associations and Other Useful Links [Seite 349]
20.3 - About the Editor and the Authors [Seite 350]
20.4 - Illustration Credits [Seite 352]
21 - INDEX [Seite 355]
21.1 - Index of Designers and Authors [Seite 355]
21.2 - Index of Projects [Seite 356]
21.3 - Index of Building Types [Seite 358]
21.4 - Index of Places [Seite 361]
21.5 - Profiles [Seite 362]