
Breakfast with Sharks
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
Screenwriters, listen up! Breakfast with Sharks is not a book about the craft of screenwriting. This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system.
Unlike most of the screenwriting books available, here's one that tells you what to do after you've finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today.
Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like "spec,” "option,” and "assignment.” Here you'll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can't say no.
Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of "take this and use it right now” information for screenwriters at any stage of their careers.
More details
Other editions
Additional editions

Person
Content
- Intro
- TITLE PAGE
- TABLE OF CONTENTS
- DEDICATION
- ACKNOWLEDGMENTS
- FOREWORD
- INTRODUCTION
- PART ONE
- CHAPTER 1
- OVERVIEW OF HOLLYWOOD
- WHAT DOES HOLLYWOOD WANT?
- "WHAT JUST HAPPENED?"
- EFFORT, ACCESS, TIMING
- PASSION VS. PA$$ION
- CHAPTER 2
- ADVICE ON REJECTION FROM A SEASONED, ...
- HOW TO HANDLE REJECTION
- REVISING YOUR WORK IN THE FACE OF REJECTION
- CHAPTER 3
- WHAT ARE YOUR CRITERIA FOR COMING TO L.A.?
- HOW DO YOU KNOW WHEN YOU ARE READY TO MOVE TO L.A.?
- THE PROS AND CONS OF LIVING IN L.A.
- THE THOMAS GUIDE
- WHERE TO LIVE
- WHAT IS A WRITER'S "VOICE," AND ...
- LEARNING PATIENCE ONCE YOU GET TO L.A.
- BUILDING YOUR SUPPORT COMMUNITY
- THE MOST IMPORTANT VIRTUE: COMMITMENT
- FINAL NOTE
- PART TWO
- CHAPTER 4
- A SNAPSHOT OF THE ACQUISITION PROCESS
- WHY EVERYONE WRITES AND YOU SHOULD, TOO
- WHAT YOU SHOULD BE WRITING
- WHERE DO PROJECTS COME FROM?
- LOW-BUDGET FILMMAKING AS ANOTHER WAY IN
- THE PITFALLS OF TRYING TO WRITE FOR THE MARKET
- WHO OWNS WHAT YOU WRITE?
- CHAPTER 5
- WHAT IS A SPEC?
- SPECS VS. ASSIGNMENTS
- HOW TO TURN SPECS INTO ASSIGNMENTS
- WHAT KINDS OF ASSIGNMENTS SHOULD YOU TAKE?
- THE WEEKEND READ
- POST-WEEKEND-READ NOTES
- FINAL THOUGHTS
- CHAPTER 6
- WHAT IS A PITCH?
- THE MEET-AND-GREET
- THE ACCORDION PITCH
- HOW NOT TO TAKE A BEATING AT THE MEETING
- WHY YOU SHOULD HAVE YOUR OWN AGENDA AT ANY MEETING
- HOW NOT TO MISTAKE THE SIZZLE FOR THE STEAK
- TYPICAL RESPONSES YOU WILL RECEIVE FROM THE STUDIO
- WHY SOME DEADLINES CAN BE APPARITIONS
- CHAPTER 7
- HOW TO REGISTER WITH THE WGA TO PROTECT YOUR WORK
- WHAT IS THE MINIMUM BASIC AGREEMENT?
- UNDERSTANDING THE SPEC-SALE CONTRACT
- FINAL THOUGHTS
- PART THREE
- CHAPTER 8
- A CRASH COURSE IN THE STUDIO ...
- THE FIRST-LOOK DEAL
- WHAT KINDS OF PROJECTS DO STUDIOS LIKE?
- STUDIO DEVELOPMENT BUZZWORDS
- STUDIO NOTES: WHAT THEY ARE ...
- CHAPTER 9
- WHO ARE STUDIO EXECUTIVES?
- WHAT DOES IT TAKE TO ...
- HOW TO THINK LIKE AN EXECUTIVE
- CHAPTER 10
- WHO ARE PRODUCERS?
- WHAT ARE THE DIFFERENT KINDS OF PRODUCERS?
- HOW PRODUCERS STAY IN BUSINESS
- PRODUCERS AND CRITICISM OF YOUR WORK
- PRODUCERS AND THEIR RELATIONSHIP TO STUDIOS
- A FINAL WORD
- CHAPTER 11
- WHO ARE DIRECTORS?
- THE RELATIONSHIP BETWEEN DIRECTORS AND WRITERS
- DEALING WITH DIRECTOR'S NOTES
- A FINAL WORD
- CHAPTER 12
- HOW ACTORS FIND WORK
- ATTACHING ACTORS TO YOUR SCRIPT
- MOVIE STARS AND ACTORS
- QUERYING AN ACTOR
- CHAPTER 13
- WHO ARE AGENTS?
- THE AGENT ROSTER
- MEETING AN AGENT
- FIVE WAYS TO IMPRESS YOUR AGENT
- HOW TO BECOME A CLIENT
- BEING A POCKET CLIENT AND RISING ABOVE THAT STATUS
- THE ROLE OF QUERY LETTERS AND QUERY CALLS
- FORM FOR ALL QUERIES
- KEEPING AN AGENT
- HOW TO AVOID STICKING WITH A BAD AGENT
- DECIDING WHETHER TO LEAVE YOUR AGENT
- MARKETING YOUR SCRIPT WITHOUT AN AGENT
- THE BENEFITS OF A GOOD AGENT
- CHAPTER 14
- WHAT IS A MANAGER?
- THE DIFFERENCE BETWEEN MANAGERS AND AGENTS
- HOW DO YOU KNOW IF YOU NEED A MANAGER?
- AVOIDING BAD MANAGERS AND FINDING GOOD ONES
- DOUBLE-DIPPING
- CHAPTER 15
- SCRIPT READERS
- SCRIPT CONSULTANTS
- ASSISTANTS
- PART FOUR
- CHAPTER 16
- THE POWER OF NETWORKING
- WHERE TO GO TO SEE AND BE SEEN
- WRITING GROUPS
- COLLABORATING WITH WRITING PARTNERS
- SCREENINGS
- JOIE DE VIVRE
- CHAPTER 17
- WRITER'S BLOCK
- AGEISM
- "PEOPLE WHO NEED PAPER" BY SONIA LENT
- THE JOURNEY OF A THOUSAND MILES ...
- 9 TO 5 . . . A.M.
- CALL FOR BACKUP
- CHAPTER 18
- WRITERS AND THE INDEPENDENT ...
- CREATIVE CONTROL IN THE INDIE SCENE
- MY OWN EXPERIENCE AS AN ...
- BUSINESS CONTROL IN THE INDIE SCENE
- MARKETING YOUR INDEPENDENT FILM
- PART FIVE
- CHAPTER 19
- HOW TO MEET WITH AN EXECUTIVE OR PRODUCER
- SETTING UP THE MEETING AT THE BEST ...
- HOW TO PREP FOR A KNOCKOUT MEETING
- THE MEETING ITSELF
- USING MEETINGS TO LAND ASSIGNMENTS
- CHAPTER 20
- WHAT ARE SCREENWRITING COMPETITIONS?
- WHAT YOU NEED TO KNOW TO DO WELL ...
- CHAPTER 21
- YOUR FIVE-YEAR PLAN FOR SUCCESS ...
- POTENTIAL JOBS TO SUSTAIN YOU ...
- OUTSIDE THE INDUSTRY ...
- PART SIX
- CHAPTER 22
- AGENTS
- ATTACHING TALENT TO YOUR PROJECT
- SHORT FILMS
- ANSWERING TOUGH QUESTIONS
- COLLABORATION
- FILM SCHOOL
- PRODUCERS
- PROTECTING MATERIAL
- QUESTIONS ABOUT THE CRAFT
- BUSINESS QUESTIONS
- THE INTERNET
- FOREIGN MARKETS
- LIFESTYLE ISSUES
- AUXILIARY MATERIALS
- CHAPTER 23
- TOP TEN FILM FESTIVALS
- TEN MAJOR SCREENWRITING COMPETITIONS
- TEN ESSENTIAL BOOKS ON THE CRAFT OF SCREENWRITING
- TEN KEY PERIODICALS FOR SCREENWRITERS
- TEN VALUABLE ORGANIZATIONS, UNIONS, AND GROUPS
- ELEVEN IMPORTANT INTERNET RESOURCES
- FIVE VALUABLE INDUSTRY DIRECTORIES
- AMERICAN FILM INSTITUTE LIST OF THE ...
- CHAPTER 24
- ABOUT THE AUTHOR
- COPYRIGHT PAGE
System requirements
File format: ePUB
Copy protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our ebook Help page.