Contemporary Circus
1st Edition
Published on 8. July 2019
246 pages
978-1-317-19014-1 (ISBN)
Description
In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory.
Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory.
Of interest to both practitioners and scholars, Contemporary Circus uses the lens of 'contestation,' or calling things into question, to provide a portal into ways of seeing today's circus performance.
Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Bjoerfors (Cirkus Cirkoer), Kim 'Busty Beatz' Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decoufle (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Menard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham's Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).
Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory.
Of interest to both practitioners and scholars, Contemporary Circus uses the lens of 'contestation,' or calling things into question, to provide a portal into ways of seeing today's circus performance.
Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Bjoerfors (Cirkus Cirkoer), Kim 'Busty Beatz' Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decoufle (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Menard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham's Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).
More details
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Illustrations
50 Halftones, black and white; 50 Illustrations, black and white
ISBN-13
978-1-317-19014-1 (9781317190141)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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Persons
Katie Lavers is an Adjunct Senior Lecturer at the Western Australian Academy of Performing Arts, Edith Cowan University, Western Australia. Her research interests are Circus Studies, Performance Studies, Animal Studies, and Ecofeminism. She is the Co-Editor of The Routledge Circus Studies Reader (2016).
Louis Patrick Leroux is a Professor and Associate Dean of Research, Faculty of Arts and Science at Concordia University, Montreal. He is the Director of the Montreal Working Group on Circus Research and Co-Editor of Cirque Global: Quebec's Expanding Circus Boundaries (2016).
Jon Burtt is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University in Sydney, Australia. He teaches across dance, theatre, and circus. His research interests are Contemporary Circus Practice and Training; and Circus for Social Change. He is the Associate Editor of The Routledge Circus Studies Reader (2016).
Louis Patrick Leroux is a Professor and Associate Dean of Research, Faculty of Arts and Science at Concordia University, Montreal. He is the Director of the Montreal Working Group on Circus Research and Co-Editor of Cirque Global: Quebec's Expanding Circus Boundaries (2016).
Jon Burtt is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University in Sydney, Australia. He teaches across dance, theatre, and circus. His research interests are Contemporary Circus Practice and Training; and Circus for Social Change. He is the Associate Editor of The Routledge Circus Studies Reader (2016).
Content
List of Figures List of Contributors Acknowledgments Introduction 1. Apparatus in Contemporary Circus 2. Politics in Contemporary Circus 3. Performers in Contemporary Circus 4. New work in Contemporary Circus Index
