
The Subject of Copyright
Description
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The book examines the challenges raised by aesthetic and neuroaesthetic concepts and cognitive studies, seeking to create a unifying framework of identification strategies for modern copyright law which embrace historical, philosophical, and social perspectives; the book develops a research methodology that offers a new interdisciplinary and holistic approach for understanding the subject of copyright and better addressing the needs of modern society, technology and business models.
Touching on normative understandings of creativity and legal-philosophical, aesthetic, and cognitive considerations with regard to the idea/expression dichotomy in copyright law, the book will be of immense interest to legal scholars, legal philosophers, aestheticians, and neuroaestheticians.
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Content
Introduction: how do we know what is protected in copyright law? 1
1 The origins of artefactuality 5
2 The origins of non-artefactuality 43
3 Intuitive artefactuality 82
4 In search of a lost object (the concept) 141
Index 199
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