Chess Strategy
Description
Classic chess guide, first published in 1915. According to Wikipedia: "Edward Lasker (December 3, 1885 - March 25, 1981) was a leading German-American chess and Go player. He was awarded the title of International Master of chess by FIDE. Lasker was an engineer by profession, and an author."
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CHESS STRATEGY BY EDWARD LASKER
translated by J. Du Mont
1915
with 167 diagrams
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Published by Seltzer Books. seltzerbooks.com
established in 1974, as B&R Samizdat Express
offering over 14,000 books
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EXPLANATION OF FORMAT USED FOR DIAGRAMS
Elementary Combinations
Simple Calculation
Complications
III. GENERAL PRINCIPLES OF CHESS STRATEGY
Introductory
Balance of Attack and Defence
Mobility
Development of the Pieces
On Losing Moves
Examples of Practical Play
Pawn Play
Pawn Skeleton
The Centre
A. King's Pawn Games
B. Queen's Pawn Games
C. Irregular Openings
End-games with Pieces
Pawn Endings
Mixed Endings
Teichmann-Blackburne (Berlin, 1897)
Ed. Lasker-Rotlewi (Hamburg, 1910)
Blackburne-Schlechter (Vienna, 1898)
Bird-Janowski (Hastings, 1895)
Steiner-Forgacz (Szekesfehervar, 1907)
Charousek-Heinrichsen (Cologne, 1898)
General Remarks
Evolution of the Pawn Skeleton
Objects of Attack
"Backward" Pawns
On Fixing a Weakness
Weaknesses in a Pawn Position
Breaking up the King's Side
Doubled Pawns
Illustrations--
v. Scheve-Teichmann (Berlin, 1907)
Marshall-Burn (Ostend, 1907)
Manoeuvres of the Pieces Open Files and Diagonals
Example--
Fred. Lazard-Ed. Lasker (Paris, 1914)
PART II ILLUSTRATIVE GAMES FROM MASTER TOURNAMENTS
1. Tartakower-Burn (Carlsbad, 1911)
2. Leonhardt-Marshall (San Sebastian, 1911)
3. Spielmann-Prokes (Prag, 1908)
4. Tarrasch-Capablanca (San Sebastian, 1911)
4a. Howell-Michell (Cable Match, 1907)
4b. X. v. Y
5. Griffith-Gunston (London, 1902)
6. Mason-Gunsberg (New York, 1889)
7. Marshall-Tarrasch (Hamburg, 1910)
8. Blackburne-Em. Lasker (Petrograd, 1914)
9. Salwe-Marshall (Vienna, 1908)
10. Teichmann-Amateurs (Glasgow, 1902)
11. Schlechter-Janowski (Paris, 1900)
12. Teichmann-Rubinstein (Carlsbad, 1911)
13. Teichmann-Schlechter (Carlsbad, 1911)
14. Spielmann-Tarrasch (San Sebastian, 1912)
15. Aljechin-Niemzowitsch (Petrograd, 1914)
16. Yates-Gunsberg (Chester, 1914)
17a. Maroczy-Berger (Vienna, 1908)
18. Em. Lasker-Capablanca (Petrograd, 1914)
19. Ed. Lasker-Janowski (Scheveningen, 1913)
20. Ed. Lasker-Englund (Scheveningen, 1913)
21. Ed. Lasker-Aljechin (Scheveningen, 1913)
22. Forgacz-Tartakower (Petrograd, 1909)
23. Yates-Esser (Anglo-Dutch Match, 1914)
24. Atkins-Barry (Cable Match, 1910)
25. Em. Lasker-Tarrasch (Munich, 1908)
26. Capablanca-Blanco (Havanna, 1913)
27. Niemzowitsch-Tarrasch (San Sebastian, 1912)
28. Alapin-Rubinstein (Wilna, 1912)
29. Teichmann-Spielmann (Leipzig, 1914)
30. Tarrasch-Spielmann (Mannheim, 1914)
31. John-Janowski (Mannheim, 1914)
32. Ed. Laskcr-Mieses (Scheveningen, 1913)
33. Barasz-Mieses (Breslau, 1012)
34. Em. Lasker-Niemzowitsch (Petrograd, 1914)
35. Reti-Tartakower (Vienna, 1910)
36. Forgacz-E. Cohn (Petrograd, 1909)
37. Marshall-Capablanca (New York, 1909)
38. Rotlewi-Teichmann (Carlsbad, 1911)
38a. Rubinstein-Teichmann (Vienna, 1908)
39. Rotlewi-Rubinstein (Lodz, 1907)
40. Rubinstein-Capablanca (San Sebastian, 1911)
41. Niemzowitsch-Tarrasch (Petrograd, 1914)
41a. Em. Lasker-Bauer (Amsterdam, 1889)
42. Capablanca-Aljechin (Petrograd, 1913)
43. Capablanca-Bernstein (Petrograd, 1914)
44. Dus Chotimirski-Vidmar (Carlsbad, 1911)
45. Rubinstein-Spielmann (Pistyan, 1912)
46. Thomas-Ed. Lasker (London, 1912)
47. Tartakower-Asztalos (Budapest, 1913)
47a. Tartakower-Spielmann (Vienna, 1913)
47b. X v. Y
48. Blackburne-Niemzowitsch (Petrograd, 1914)
EXPLANATION OF FORMAT USED IN DIAGRAMS
This e-text contains the 167 game diagrams that appear in the original book, all in the form of ASCII line drawings. The following is a key to the diagrams:
For chess pieces,
R = Rook
Kt = Knight
B = Bishop
Q = Queen
K = King
P = Pawn
Black pieces have a # symbol to the left of them, while white pieces have a ^ symbol to the left of them. For example, #B is the Black bishop, while ^B is the white bishop. #Kt is the black knight, while ^Kt is the white knight. This will let the reader instantly tell by sight which pieces in the ASCII chess diagrams are black and which are white. Those who find these diagrams hard to read should feel free to set up them up on a game board using the actual pieces.
TRANSLATOR'S PREFACE
As the first edition of Edward Laskcr's CHESS STRATEGY was exhausted within a comparatively short time of its appearance, the author set himself the task of altering and improving the work to such an extent that it became to all intents and purposes a new book. I had the privilege of co-operating with him to a slight degree on that second edition, and was in consequence able to appreciate the tremendous amount of work he voluntarily took upon himself to do; I say voluntarily, because his publishers, anxious to supply the strong demand for the book, wished to reprint it as it stood.
A little later I undertook to translate this second edition into English for Messrs. Bell & Sons. Only a few months had elapsed, the tournaments at Petrograd, Chester, and Mannheim had taken place, several new discoveries had been made, and it is the greatest testimony to Edward Lasker's indefatigable devotion to the Art of Chess that I am able to say that this is not a translation of the second edition, but of what is practically a new book. It contains a new preface, a chapter for beginners, a new introduction, new variations. Furthermore, a large number of new games have taken the place of old ones.
I have no doubt that any chess player who will take the trouble to study CHESS STRATEGY will spend many a pleasurable hour. Incidentally new vistas will be opened to him, and his playing strength increased to a surprising degree.
The author says in his preface that he appeals to the intelligence and not the memory of his readers. In my opinion, too, the student should above all try to improve his judgment of position.
Than the playing over of games contested by experts I can hardly imagine a greater or purer form of enjoyment. Yet I must at the outset sound a note of warning against its being done superficially, and with a feverish expectation of something happening. Every move or combination of moves should be carefully weighed, and the student should draw his own conclusions and compare them with what actually happens in the game under examination.
This applies particularly to some of the critical positions set out in diagrams in the course of the exposition of the several games.
The reader would derive the greatest possible benefit from a prolonged study of such positions before seeking to know how the games proceed. After having formed his own opinion about the merits of a particular position, he...
