
Narratives Unfolding
Description
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Person
Martha Langford is research chair and director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University and author of Suspended Conversations: The Afterlife of Memory in Photographic Albums.Martha Langford is research chair and director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University.
Content
- Cover
- Contents
- Illustrations
- Acknowledgments
- Preface
- 1 Introduction
- 2 Playing Out the "Differences" in "Turkish" Art-Historical Narratives
- 3 Race, Irishness, and Art History: Margaret Clarke's Bath Time at the Crèche (1925), Motherhood, and the Matter of Whiteness
- 4 Problems of Translation: Lyonel Feininger and Gaganendranath Tagore at the Fourteenth Annual Indian Society of Oriental Art Exhibition, Kolkata, India
- 5 Some Notes on Applying Postcolonial Methodologies to Architectural History Research in Israel/Palestine
- 6 "Draw Me a Sheep!" Contemporary Responses to the Histories of Art Education, Surrealism, and Psychoanalysis in Egypt
- 7 Historical Archives and Contemporary Art: The Case of the Umm el-Fahem Gallery in Palestine/Israel
- 8 Dalriada, the Lordship of the Isles, and the Northern Rim: Decentralizing the Visual Culture of the Highlands and Islands of Scotland
- 9 New Maps for Networks: Reykjavík Fluxus - A Case of Connections
- 10 Hitching a Ride: American Know-How in the Engineering of Canadian Photographic Institutions
- 11 Migratory Affiliations: Contemporary Romanian Art
- 12 Maraya's Sisyphean Cart: Twinned Visions of Vancouver and Dubai
- 13 Urban Art Histories (in Canada)
- 14 A Stranger in New York
- 15 Mending Walls: Imagining the Sovereign Subject in Contemporary Exhibition Practices
- 16 Embodying Sovereignty: Indigenous Women's Performance Art in Canada
- Notes
- Bibliography
- Contributors
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z
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