The EC Archives: Frontline Combat Volume 2
Published on 22. October 2019
184 pages
978-1-5067-0965-9 (ISBN)
Description
Legendary Writer/Artist/Editor Harvey Kurtzman collaborates with some of the greatest artists of all time in Wally Wood, John Severin, Alex Toth, and many others to create some of the most essential War stories ever told!
In these classic EC tales, we are taken to War in the true grueling and horrific light that few comics of the time dared to show!
Collecting Frontline Combat #7-12, this volume features--in fully remastered digital color--the work of comic book greats Harvey Kurtzman, Wally Wood, John Severin, Bill Elder, George Evans, and Alex Toth!
Collects Frontline Combat issues #7-#12.
In these classic EC tales, we are taken to War in the true grueling and horrific light that few comics of the time dared to show!
Collecting Frontline Combat #7-12, this volume features--in fully remastered digital color--the work of comic book greats Harvey Kurtzman, Wally Wood, John Severin, Bill Elder, George Evans, and Alex Toth!
Collects Frontline Combat issues #7-#12.
More details
Other editions
Additional editions
Harvey Kurtzman
The EC Archives: Frontline Combat Volume 2
Book
10/2019
Dark Horse Comics,U.S.
€79.41
Article not available at the moment
Persons
Harvey Kurtzman (1924-1993) was a cartoonist, writer, editor, and comics genius. He is probably best remembered for MAD, which he founded in 1952. He created 28 revolutionary issues for E.C. publisher Bill Gaines (for whom he also created Two-Fisted Tales and Frontline Combat) with such talent as Will Elder, Jack Davis, and Wally Wood before leaving in 1956. Kurtzman then created the short-lived satire magazine Trump for Playboy publisher Hugh Hefner in 1957. He followed with the comic-size Humbug in 1958, then Help! magazine. During his Help! tenure he discovered such diverse talent as Terry Gilliam, Gloria Steinem, Gilbert Shelton, and R. Crumb. In 1962 he and collaborator Will Elder began producing the long-running and elaborate Little Annie Fanny comic for Playboy. In the 1970s he became known as the "father-in-law of underground comix" for inspiring a new generation of media-bending cartoonists.
