
Writing against the Curriculum
Description
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Written by administrators, faculty, and librarians at public and private institutions, who teach traditional and online introductory and advanced writing classes, the essays in Writing against the Curriculum argue that these introductory composition classrooms make excellent spaces to question disciplinarity through the study of rhetoric, with an emphasis on critical thinking and curricular flexibility, before students experience disciplinary enforcement most intensely in the advanced courses. Thus, this collection intervenes in current discourses of theory and practice in the related fields of composition and cultural studies because simultaneous attention to both fields enables both the activist enactment of cultural studies' theoretical ambitions and the interrogation of the theoretical and political implications of composition practices.
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Persons
Ryan Claycomb is assistant professor of English at West Virginia University.
Content
Part 2 Part I. What is the Writing for?
Chapter 3 Chapter 2. Cultural Studies, Rhetorical Studies, and Composition: Toward an Anti-Disciplinary Nexus
Chapter 4 Chapter 3. Subjugated Knowledges and De-disciplinarity in a Cultural Studies Pedagogy
Chapter 5 Chapter 4. Interventions at the Intersections: An Analysis of Public Writing and Student Writing
Part 6 Part II. Shifting Schemas
Chapter 7 Chapter 5. Writing is against Discipline: Three Courses
Chapter 8 Chapter 6. The Brake of Reflection: Slowing Social Process in the Critical WID Classroom
Chapter 9 Chapter 7. Location, Location, Location: The Radical Potential of Web-Intensive Writing Programs to Challenge Disciplinary Boundaries
Chapter 10 Chapter 8. Discipline and Indulgence
Part 11 Part III. Writing across the (Anti)Disciplines
Chapter 12 Chapter 9. "Only Connect": Doing Dickens, Cultural Studies, and Anti-Disciplinarity in the University Literature Classroom
Chapter 13 Chapter 10. From Things Fall Apart to Freedom Dreams: Black Literature in the Multicultural Composition Classroom
Chapter 14 Chapter 11. Performing/Teaching/Writing: Performance Studies in the Critical Composition Classroom
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