
Trinity, Trinity, Trinity
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Nine years after the Fukushima Daiichi nuclear power plant disaster, Japan is preparing for the 2020 Tokyo Olympics. An unnamed narrator wakes up in a cold, sterile room, unable to recall her past. Across the country, the elderly begin to hear voices emanating from black stones, compelling them to behave in strange and unpredictable ways. The voices are a symptom of a disease called "Trinity."
As details about the disease come to light, we encounter a thread of linked histories-Prometheuss stealing fire from the gods, the discovery of radiation, the nuclear arms race, the subsequent birth of nuclear energy, and the disaster in Fukushima. The threads linking these events begins to unravel in the lead-up to a terrorist attack at the Japan National Olympic Stadium.
A work of speculative fiction reckoning with the ramifications of the past and the continued effects of nuclear power, Trinity, Trinity, Trinity follows the lives of three generations of women connected by a history of violence.
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TRANSLATOR BIO: Brian Bergstrom is a lecturer and translator who has lived in Chicago, Kyoto, and Yokohama. His writing and translations have appeared in publications including Granta, Aperture, Lit Hub, Mechademia, Japan Forum, positions: asia critique, and The Penguin Book of Japanese Short Stories. He is the editor and principal translator of We, the Children of Cats by Tomoyuki Hoshino (PM Press), which was longlisted for the 2013 Best Translated Book Award. His translation of Trinity, Trinity, Trinity by Erika Kobayashi (Astra House, 2022) won the 2022 Japan-U.S. Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature. He is currently based in Montréal, Canada.
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