
Critically Engaging Participatory Action Research
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The authors, writing explicitly from Minority World perspectives, are experienced researcher-practitioners who have worked with communities in the UK, USA, South Africa, Australia, India, and Colombia over many years. They offer an assessment, exploration, and illustration of CPAR at this point in time, outlining how the approach has evolved over time and space. Exploring its roots in strands of critical thought including postcolonialism, anti-imperialism, feminism, antiracism, queer theory, and Indigenous ontologies, the book asks how PAR is being critically re-engaged to maintain its commitment to greater justice and transformational change. Each chapter provides a rich case study of how these theories inform current collaborations and offers reflection on the entanglements of power that come with attempting CPAR in different institutional and geopolitical contexts. Their examples show that critical interrogation of PAR practices may lead to innovative and impactful outcomes for those involved, as well as new theoretical and substantive research findings.
The collection will be of especial interest to students and researchers across the social sciences and humanities, as well as those working outside universities, who are interested in developing or extending their use of CPAR.
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Persons
Rachel Pain is a Professor of Human Geography at Newcastle University in the UK. Her research focuses on violence, fear, and trauma, with a particular interest in gender-based violence, and analyses connections between intimate, community, and international scales. Her work is informed by feminist theory and participatory action research. She collaborates on this research with public and voluntary sector organisations and survivor groups.
Mike Kesby is a Senior Lecturer in Geography at the University of St Andrews, Scotland, UK. His research focuses on a range of health issues in Southern and Eastern Africa (HIV, sexual health, gender relations, and antimicrobial resistance in UTIs). His work is informed by participatory action research, feminist, post-structuralist, and new materialist theory. He uses participatory video and other creative methods in collaborations with a range of academic, governmental and non-governmental organisations, and grassroots citizens.
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