
Truth from a Lie
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Undergirding his theory and practice of realism was a critique of conventional documentary and of the classic detective story. The texts examined here expose the degree to which the documentarian and the detective are active fabricators of meaning rather than neutral observers of fact. By paying close attention to the tension between the documentary and the fictive in Abe's works, Key draws out the ethical implications of his documentary approach, arguing persuasively that the documentary qualities of his writing, such as its valorization of objectivity over psychologism and the realm of "concrete things" over abstraction are strategies for challenging the dominant assumptions about what constitutes good ethics and good art, as well as the relationship between these two spheres. Truth from a Lie explores the ways in which Abe put documentary and the de
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Content
Chapter 2 Chapter 1: Investigating the "Concrete Things" of Reality
Chapter 3 Chapter 2: Blurring the Boundary between the Fictional and the Real: Ishi no me and "Jiken no haikei"
Chapter 4 Chapter 3: True Lies and Dramatized Facts: Mokugekisha andMihitsu no koi
Chapter 5 Chapter 4: Memoir, Murder, and the Metafictional Aesthetic in Tanin no kao
Chapter 6 Chapter 5: Rethinking Abe: Objectivity as Epistemology, Ethics,and Art
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