
Digital Multimodal Composing
Description
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Reviews / Votes
The combination of multiple sensory and communicative modes to create meaning is a familiar feature of modern life and contemporary education, and there are few better introductions to the topic than this. Kessler explores the diverse theories, approaches and methodologies used to conduct multimodal research and offers insightful practical tips for teachers using multimodal composing in L2 classrooms. * Ken Hyland, University of East Anglia, UK * This monograph delves into the dynamic intersection of digital multimodal composing (DMC) and second language acquisition, seamlessly connecting theory, research, and practice. Written in a clear and accessible manner, the book provides innovative insights into DMC scholarship and its pedagogical applications. It is an essential read for anyone interested in the transformative realm of language acquisition in the digital age. * Mimi Li, Texas A&M University-Commerce, USA *More details
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Content
Part 1: Introduction and Theoretical Support
Chapter 1: Introduction
Chapter 2: Key Theories and Concepts
Part 2: Research on DMC and Language Learning
Chapter 3: Writing Processes
Chapter 4: Outcomes and Evidence of Learning
Chapter 5: Teachers' and Students' Perceptions
Chapter 6: Individual Differences
Part 3: Pedagogical Applications
Chapter 7: DMC Tasks and Activities
Chapter 8: Assessment
Chapter 9: Conclusion and Future Research Directions
References
Index
System requirements
File format: ePUB
Copy protection: Watermark-DRM (Digital Rights Management)
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