
Musical Emotions Explained
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Content
- Part I: Introduction
- 1: Setting the Stage: Overture in C Major
- 2: The Book's Composition: Aim and Structure
- 3: The Value of a Psychological Approach
- 4: Music, Experience, and Affect
- Part II: Expression and Perception of Emotion
- 5: What Is Meant by Emotional Expression?
- 6: Empirical Studies: What Have We Learned?
- 7: Music as Expression: Objections and Obstacles
- 8: Breaking the Code: The Musical Features
- 9: How Are Music and Emotion Links Studied?
- 10: Viewing Music Through a Brunswikian Lens
- 11: The Voice of Angels? Iconic Expression
- 12: Further Layers: Intrinsic and Associative Expression
- 13: Deviation From the Exact: The Role of the Performer
- Part III: Arousal of Emotion
- 14: Beyond Perception: When Music Moves Us
- 15: Does Music Arouse Emotions? How Do We Know?
- 16: The Prevalence of Emotional Reactions
- 17: How Does Music Arouse Emotions?
- 18: Jumping at Shadows: Brain Stem Reflex
- 19: Get Into the Groove: Rhythmic Entrainment
- 20: Mirroring the Expression: Contagion
- 21: Ring My Bell: Evaluative Conditioning
- 22: Blast From the Past: Episodic Memory
- 23: Seeing in the Mind's Eye: Visual Imagery
- 24: What Comes Next? Musical Expectancy
- 25: Predictions, Implications, Complications
- Part IV: Aesthetic Judgment
- 26: Aesthetics: The Hard Problem?
- 27: Traditional Approaches to Aesthetics
- 28: What's Special? Adopting the Aesthetic Attitude
- 29: Aesthetic Criteria: Meet the Usual Suspects!
- 30: A Novel Approach Towards Aesthetic Judgment
- 31: Aesthetics and Affect in Broader Perspective
- 32: The Last Chorus: Putting It All Together
- 33: Coda: Final Outlook
- Appendix: The Lens Model Equation
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