
Patterns of Positioning
Description
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Content
- Cover
- Title Page
- Copyright
- Contents
- Illustrations
- Fig. 1. John Wesley, Thoughts Upon Slavery, 1774
- Fig. 2. Minimal layout of arguments according to Toulmin
- Fig. 3. Complex layout of arguments according to Toulmin
- Fig. 4. N. Davies, "Emancipation of N Davies's Negroes," 1794
- Fig. 5. N. Davies, "Emancipation of N Davies's Negroes," 1794
- Fig. 6. Pomp and J. Plummer, "Dying Confession of Pomp," 1795
- Fig. 7. "The Story of Inkle and Yarico," 1762
- Fig. 8. "Remarks on the Slave Trade," 1789
- Fig. 9. Samuel West, Family Anecdotes and Memoirs, 1808
- Abbreviations
- Acknowledgments
- Introduction-The Poetics of Early Abolition
- 1 Positioning and Feeling for the Enslaved
- 2 Conceptual Framework-Desiderata
- 3 Research Questions-Methodology
- I Arguing Abolition-Argumentative Patterns
- 1 Discursive Fields of Topoi
- 1.1 Religious Grounds
- 1.2 Moral and Political-Philosophical Grounds
- 1.3 Economic Grounds
- 1.4 Historical Grounds
- 1.5 National Grounds
- 1.6 Grounds of 'Race
- 1.7 Reflections on Arguing Abolition
- 2 Referents of Topoi
- 2.1 The Free
- 2.2 The Unfree
- 3 Functions of Topoi
- 3.1 Subject Positioning
- 3.2 Object Positioning
- 3.3 Abject Positioning
- II Narrating Abolition-Narrative Figures
- 1 Criminal Confession and Conversion
- 2 Repentance and Remission
- 3 Avarice and Abuse
- 4 Generosity and Gratitude
- 5 Deprivation and Dispersion
- III Generating Abolition-Generic Frames
- 1 Genre as Frame for Dialogic Space
- 2 Genre as Frame for Emotionalization
- 3 Genre as Frame for Speaking Positions
- Conclusion-Patterns of Abolitionist Self-Aggrandizement
- Works Cited
- Index
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