The Traumatic Screen
The Films of Christopher Nolan
Published on 6. April 2020
200 pages
978-1-78938-203-7 (ISBN)
Description
Christopher Nolan occupies a rare realm within the Hollywood mainstream, creating complex, original films that achieve both critical acclaim and commercial success. In The Traumatic Screen, Stuart Joy builds on contemporary applications of psychoanalytic film theory to consider the function and presentation of trauma across Nolan's work, arguing that the complexity, thematic consistency and fragmentary nature of his films mimic the structural operation of trauma.
From 1997's Doodlebug to 2017's Dunkirk, Nolan's films highlight cinema's ability to probe the nature of human consciousness while commenting on the relationship between spectator and screen. Joy examines Nolan's treatment of trauma - both individual and collective - through the formal construction, mise en scene and repeated themes of his films. The argument presented is based on close textual analysis and a methodological framework that incorporates the works of Sigmund Freud and Jacques Lacan. The first in-depth, overtly psychoanalytic understanding of trauma in the context of the director's filmography, this book builds on and challenges existing scholarship in a bold new interpretation of the Nolan canon.
From 1997's Doodlebug to 2017's Dunkirk, Nolan's films highlight cinema's ability to probe the nature of human consciousness while commenting on the relationship between spectator and screen. Joy examines Nolan's treatment of trauma - both individual and collective - through the formal construction, mise en scene and repeated themes of his films. The argument presented is based on close textual analysis and a methodological framework that incorporates the works of Sigmund Freud and Jacques Lacan. The first in-depth, overtly psychoanalytic understanding of trauma in the context of the director's filmography, this book builds on and challenges existing scholarship in a bold new interpretation of the Nolan canon.
Reviews / Votes
'Nolan's films have been explored in a number of critical works, but this is the first study to examine his work-from Doodlebug (1997) to Dunkirk (2017)-from a psychoanalytic perspective. The characters in Nolan's films typically have undergone a traumatic experience and must reconcile past memories in order to move forward. [Joy's] synthesized approach to trauma [...] looks at themes of time, memory, identity, and narrative, motifs that are recurring elements in Nolan's films. For example, he takes a Freudian approach to exploring how the murder of the parents of the young Bruce Wayne (Batman) affected Wayne's development. A solid addition to the literature on Nolan.' -- CHOICE 'Stuart Joy's The Traumatic Screen provides a careful and accurate analysis of the films of one of the most important contemporary directors: Christopher Nolan. Nolan's films are not without criticism, and the final analysis might reveal that only a few of the (justly) lauded works of Christopher Nolan are truly worthy of the appellation "great." Nonetheless, the best of Christopher Nolan's films are delightful intellectual puzzles that help provide a deeper understanding of human nature, and Stuart Joy's The Traumatic Screen is a helpful guide to Nolan's labyrinthian films.' -- Jesse Russell, Voegelinview 'Overall, a good arc is drawn across the structure of the entire book, which repeatedly takes up the central themes of trauma, desire, time and melancholy and substantiates them using film examples. The analysis sections, each of which deals with the respective film in great detail, are written in a particularly comprehensible and clear manner. Even for readers who have not seen the films, Joy has been able to close gaps in the content with concise summaries and provides a very informative overall picture. [...] The author goes into great theoretical depth, which is why this work is definitely useful for further professional work.' -- David Brosch, MEDIENwissenschaft: Rezensionen | Reviews [translated]More details
Language
English
Place of publication
Bristol
United Kingdom
Publishing group
Intellect
Target group
Professional and scholarly
Illustrations
23 Halftones, black and white
ISBN-13
978-1-78938-203-7 (9781789382037)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
10/2020
Intellect Books
€99.60
Shipment within 3-4 weeks
Person
Stuart Joy is a senior lecturer in film and television at Solent University in Southampton, UK. His research interests include contemporary film theory and practice, media and cultural theory, film history and gender representation in film and television.
Content
Introduction
1. The Traumatic Screen: Trauma, Psychoanalysis and Cinema
2. Revisiting the Scene of the Crime: Repressing the Past in Insomnia
3. Batman Begins, Again: The Temporality of Trauma in The Dark Knight Trilogy
4. Looking for the Secret: The Intersection between Trauma and Desire in The Prestige
5. The Dream has Become Their Reality: Acting-Out and Working-Through Trauma in Inception
6. Beyond the Void: Interstellar and the Possibilities of Post-Traumatic Growth
7. Keep Calm and Carry On: Combating Collective Trauma in Dunkirk
8. Conclusion - Ending at the Beginning with Doodlebug, Following and Memento
1. The Traumatic Screen: Trauma, Psychoanalysis and Cinema
2. Revisiting the Scene of the Crime: Repressing the Past in Insomnia
3. Batman Begins, Again: The Temporality of Trauma in The Dark Knight Trilogy
4. Looking for the Secret: The Intersection between Trauma and Desire in The Prestige
5. The Dream has Become Their Reality: Acting-Out and Working-Through Trauma in Inception
6. Beyond the Void: Interstellar and the Possibilities of Post-Traumatic Growth
7. Keep Calm and Carry On: Combating Collective Trauma in Dunkirk
8. Conclusion - Ending at the Beginning with Doodlebug, Following and Memento
