
Georges Rouault and Material Imagining
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Rouault's work explodes the genre of painting, drawing upon the residue of Gustave Moreau's symbolism, the extremities of Fauvism, and the radical theatrical experiments of Alfred Jarry. The repetitions and re-workings at the heart of Rouault's process defy conventional chronological treatment, and place the emphasis upon the coming-into-being of the work of art. Ultimately, the book reveals the process of making as both a search for understanding and a response to the problematic world of the 20th century.
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Content
Introduction: Georges Rouault's Modernism
Chapter 1: 1903-1907: Mutilation, Revivification and Imaginative Play on the Surface
Chapter 2: The Interwar Years: Materiality, Theatricality, and Social Critique
Chapter 3: 'Le métier de peindre' or Making as Thought: Bergson, Maritain, and Rouault's landscapes
Chapter 4: Light Thickens: Theology, Phenomenology and the Veronica
Chapter 5: Material Imaginings: Matter, Materiality, and Modes of Being
Index
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