A Proximate Remove
Queering Intimacy and Loss in The Tale of Genji
1st Edition
Published on 22. June 2021
250 pages
978-0-520-38255-8 (ISBN)
Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org.
How might queer theory transform our interpretations of medieval Japanese literature and how might this literature reorient the assumptions, priorities, and critical practices of queer theory? Through close readings of The Tale of Genji, an eleventh century text that depicts the lifestyles of aristocrats during the Heian period, A Proximate Remove explores this question by mapping the destabilizing aesthetic, affective, and phenomenological dimensions of experiencing intimacy and loss. The spatiotemporal fissures Reginald Jackson calls "proximate removes" suspend belief in prevailing structures. Beyond issues of sexuality, A Proximate Remove contends that Genji queers in its reluctance to romanticize or reproduce a flawed social order. This hesitation enhances how we engage premodern texts and question contemporary disciplinary stances.
How might queer theory transform our interpretations of medieval Japanese literature and how might this literature reorient the assumptions, priorities, and critical practices of queer theory? Through close readings of The Tale of Genji, an eleventh century text that depicts the lifestyles of aristocrats during the Heian period, A Proximate Remove explores this question by mapping the destabilizing aesthetic, affective, and phenomenological dimensions of experiencing intimacy and loss. The spatiotemporal fissures Reginald Jackson calls "proximate removes" suspend belief in prevailing structures. Beyond issues of sexuality, A Proximate Remove contends that Genji queers in its reluctance to romanticize or reproduce a flawed social order. This hesitation enhances how we engage premodern texts and question contemporary disciplinary stances.
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06/2021
1st Edition
University of California Press
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Person
Jackson Reginald :
Reginald Jackson is Associate Professor of Premodern Japanese Literature and Performance at the University of Michigan. He is the author of Textures of Mourning: Calligraphy, Mortality, and the Tale of Genji Scrolls.
Reginald Jackson is Associate Professor of Premodern Japanese Literature and Performance at the University of Michigan. He is the author of Textures of Mourning: Calligraphy, Mortality, and the Tale of Genji Scrolls.
