
Solea
Description
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Ex-cop, loner, Fabio Montale returns in this stunning conclusion to Jean-Claude Izzo's Marseilles trilogy. Italian Mafiosi are hunting journalist-activist Babette Bellini, and the body count is growing as they close in on their prey. In desperation, Bellini seeks help from her former lover, Montale. Before he has time to shake off his most recent hangover, Montale is receiving sinister phone calls from men with Italian accents who want him to find Bellini for them. Like a woman he can't leave, like strong liquor he can't refuse, Marseilles lures Montale back into its violent embrace.
Solea is Izzo's heartfelt cry against the criminal forces corrupting his beloved city. It is his farewell to Marseilles and to its ideal protagonist, Fabio Montale. It concludes an unforgettable trilogy that epitomizes the aspirations and ideals of the Mediterranean noir movement.
Praise for Izzo's Marseilles Trilogy
"One of the masterpieces of modern noir." - The Washington Post
"Izzo's ability to describe Marseilles and to make his readers feel the multiracial reality of that city so directly and authentically is fascinating." -Andrea Camilleri, New York Times-bestselling author of the Inspector Montalbano series
"Sensationally readable... Full of fascinating characters." - Chicago Tribune
"Terrific." - The New York Times
"Like the best noir writers-and make no mistake, he is among the best-Izzo not only has a keen eye for detail ... but also digs deep into what makes men weep." - Time Out New York
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Content
- Intro
- PRAISE
- ALSO BY JEAN-CLAUDE IZZO
- EULOGY FOR JEAN-CLAUDE IZZO by Massimo Carlotto
- SOLEA
- AUTHOR'S NOTE
- PROLOGUE. OUT OF SIGHT, NOT OUT OF MIND, MARSEILLES FOREVER
- 1. IN WHICH WHAT PEOPLE HAVE ON THEIR MINDS IS CLEARER THAN WHAT THEY SAY WITH THEIR TONGUES
- 2. IN WHICH JUST BECAUSE YOU'RE USED TO LIFE DOESN'T MEAN YOU HAVE TO CARRY ON LIVING
- 3. IN WHICH IT ISN'T POINTLESS TO HAVE A FEW ILLUSIONS ABOUT LIFE
- 4. IN WHICH TEARS ARE THE ONLY CURE FOR HATE
- 5. IN WHICH EVEN SOMETHING POINTLESS CAN BE GOOD TO SAY, AND GOOD TO HEAR
- 6. IN WHICH THE LOVE WE SHARE WITH A CITY IS OFTEN A SECRET LOVE
- 7. IN WHICH THERE ARE SOME MISTAKESTOO TERRIBLE FOR REMORSE
- 8. IN WHICH WHAT YOU CAN UNDERSTAND YOU CAN ALSO FORGIVE
- 9. IN WHICH WE LEARN THAT IT'S HARD TO SURVIVE THE DEAD
- 10. IN WHICH BEING LIGHT CAN RECONCILE SADNESS WITH THE FLIGHT OF A SEAGULL
- 11. IN WHICH IT'S LIFE THAT'S AT STAKE, TO THE LAST BREATH
- 12. IN WHICH THE QUESTION ARISES OF HOW TO LIVE IN A SOCIETY WITHOUT MORALITY
- 13. IN WHICH IT'S EASIER TO EXPLAIN THINGS TO OTHER PEOPLE THAN TO UNDERSTAND THEM YOURSELF
- 14. IN WHICH WE LEARN THE EXACT MEANINGOF THE EXPRESSION "A DEATHLY SILENCE"
- 15. IN WHICH THE IMMINENCE OF AN EVENTCREATES A KIND OF BLACK HOLE
- 16. IN WHICH THE GAME IS BEING PLAYED, UNWITTINGLY, ON THE DEVIL'S CHESS BOARD
- 17. IN WHICH IT IS SAID THAT REVENGE GETS YOU NOWHERE, AND NEITHER DOES PESSIMISM
- 18. IN WHICH THE LESS YOU CONCEDE TO LIFE, THE CLOSER YOU GET TO DEATH
- 19. IN WHICH IT IS NECESSARY TO KNOW HOW WE SEE THINGS
- 20. IN WHICH THERE IS NO TRUTH THAT DOESN'T CARRY WITHIN IT ITS OWN BITTERNESS
- 21. IN WHICH IT BECOMES OBVIOUS THAT ROTTENNESS IS BLIND
- ABOUT THE AUTHOR
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