Italian Americans on Screen
Challenging the Past, Re-Theorizing the Future
Lexington Books (Publisher)
1st Edition
Published on 4. February 2021
266 pages
978-1-7936-1155-0 (ISBN)
Description
Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo's definition of Italian-American cinema as "appl[ying] to works by Italian-American directors who treat Italian-American subjects" to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations concerning Italian Americans on screen. Scholars of film studies, media studies, cultural studies, and sociology will find this book particularly useful.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Illustrations
11 b/w photos; 1 graphs;
ISBN-13
978-1-7936-1155-0 (9781793611550)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Ryan Calabretta-Sajder | Alan J. Gravano
Italian Americans on Screen
Challenging the Past, Re-Theorizing the Future
Book
02/2021
Lexington Books
€115.30
Shipment within 3-4 weeks
Persons
Ryan Calabretta-Sajder is assistant professor of Italian at the University of Arkansas, Fayetteville.
Alan J. Gravano is assistant professor and writing center director at Rocky Mountain University.
Alan J. Gravano is assistant professor and writing center director at Rocky Mountain University.
Content
Introduction
Ryan Calabretta-Sajder & Alan Gravano
Part I: What is Italian-American Cinema?
1.What is Italian about Sofia Coppola? Tracing Ethnicity in Third-Generation Feminist Cinema
Colleen Ryan
2.Edible Ethnicity: Italian-American Representations, Cinematic Style, and Ethnic Commodification in Stanley Tucci's and Campbell Scott's Big Night
Jonathan Cavallero
3.Questioning the Italian-American Palooka: From Definition of Race to Disabilities in Avildsen's Rocky, Coogler's Creed, and Caple Jr's Creed II
Alan Gravano
Part II: Blurring the Lines between Italian and American on Screen
4.The Italian Pursuit of Hollywood
Mary Ann McDonald Carolan
5.Comedies of Identity: Italian Cinema and Television Narrating Italian Americans
Giuseppe Sorrentino
Part III: Re-Viewing Italian Americana on Screen: Reception and Reflections
6.Who's Laughing at Whom? Masculinity, Humor, and Italian American Lives on Mainstream Television: Friends
Ryan Calabretta-Sajder
7.Tony Soprano Meets Furio Giunta: Ital
Ryan Calabretta-Sajder & Alan Gravano
Part I: What is Italian-American Cinema?
1.What is Italian about Sofia Coppola? Tracing Ethnicity in Third-Generation Feminist Cinema
Colleen Ryan
2.Edible Ethnicity: Italian-American Representations, Cinematic Style, and Ethnic Commodification in Stanley Tucci's and Campbell Scott's Big Night
Jonathan Cavallero
3.Questioning the Italian-American Palooka: From Definition of Race to Disabilities in Avildsen's Rocky, Coogler's Creed, and Caple Jr's Creed II
Alan Gravano
Part II: Blurring the Lines between Italian and American on Screen
4.The Italian Pursuit of Hollywood
Mary Ann McDonald Carolan
5.Comedies of Identity: Italian Cinema and Television Narrating Italian Americans
Giuseppe Sorrentino
Part III: Re-Viewing Italian Americana on Screen: Reception and Reflections
6.Who's Laughing at Whom? Masculinity, Humor, and Italian American Lives on Mainstream Television: Friends
Ryan Calabretta-Sajder
7.Tony Soprano Meets Furio Giunta: Ital
