
Infrared Photography
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Content
- Intro
- Title Page
- About the Authors
- Copyright
- Contents
- Introduction
- Part One: Getting Started
- 1. What Are Near and Far Infrared?
- Light in the Electromagnetic Spectrum
- Mid to Far Infrared Light
- Near Infrared Photography
- 2. Near Infrared, Sensors, Color and Black & White
- Near Infrared
- Sensors
- Color and Black & White
- 3. Infrared Film
- Shooting with Infrared Film
- Types of Infrared Film
- Bracketing Exposures
- 4. Infrared Filters and Converted Cameras
- Filters: Infrared on a Trial Basis
- Filter Considerations
- Converted Cameras
- Conversion Considerations
- 5. Camera Conversion
- How Conversion Works
- How to Convert
- Common Conversions
- 6. Lenses and Calibration
- Lens Considerations
- Calibration
- No Calibration Needed
- Learning with a Fixed Focal Length Lens
- 7. Depth of Field
- Depth of Field
- F-Stops, Focal Length, and Lens
- 8. Metering, Bracketing, ISO, and RAW Files
- Metering
- Bracketing
- ISO
- Photograph in RAW
- Getting Started
- 9. Histograms
- Histogram
- How a Histogram Functions
- Histogram for Setting Exposure
- Referencing the Histogram
- 10. White Balance
- White Balance
- Setting a Custom White Balance
- Custom Profiles and DNG Profile Editor
- 11. Lens Flare and Hot Spots
- Lens Flare
- Creative Use of Lens Flare
- Hot Spots
- Guidelines
- Part Two: Infrared Considerations
- 12. What Things Look Like in Infrared, and Why
- The Look of Infrared
- Surprising Appearance
- Trees and Foliage
- 13. Previsualization and Composition
- Previsualizing
- Compositional Elements
- Tonality
- S Curves and Diagonal Lines
- 14. Sky and Clouds
- Light Dispersion
- Drama in the Sky
- 15. Rocks and Water
- About Rocks
- About Water
- 16. Plants
- Amazing Subjects
- Allium
- Succulents
- Two Tulips
- 17. Trees
- An Iconic Infrared Image
- The Wood Effect
- 18. Seasonal and Weather Conditions
- Winter Mind-Set
- Seasonal Differences
- Seasonal Considerations
- 19. Skin, Veins, and Eyes
- Skin and Veins
- Eyes
- Client Considerations
- Tan Lines
- 20. Hair Color and Complexion
- Hair
- Skin Complexion
- 21. Makeup
- Emphasize Makeup
- About Eye Makeup
- 22. Clothing and Dyes
- Request Plain Clothing and Take Test Shots
- Simple Is Good
- 23. Tattoos
- Tattoos May Change in an Infrared Image
- Reflectivity of Tattoos
- Test Images
- 24. Light Sources
- Learn the Rules
- Fill Flash
- Experimenting with Light
- Part Three: Infrared Capture and Composition
- 25. Composition and Content
- Composition in Depth: Woman by the Water
- Components of Composition
- 26. Bracketing and High Dynamic Range
- Bracketing with Film
- Bracketing with Digital
- High Dynamic Range
- Alternative to Bracketing
- 27. Shutter Speed
- F-Stops and Depth of Field
- Capturing Movement
- Freeze the Action
- 28. Landscape
- Unconverted Digital Cameras with Filters
- Creating Effective Landscape Images
- Time of Day
- Best Time of Year
- 29. Portraits
- Photographing People
- 30. Weddings
- Two Photographers, Two Attitudes
- Photographer: Clay Blackmore
- Photographer: Laurie Klein
- 31. Nudes
- Protocol for Nude Sessions
- Preparing to Shoot
- Ansel Adams Waited for Clouds
- Infrared Nude in Landscape
- Collaborating with the Model
- 32. People in the Landscape
- In the Landscape
- Knowing How Much to Include
- Screaming Rock
- 33. Reflection
- Different Reflective Surfaces
- Reflections Form Two Subjects
- Reflections and the Angle of Infrared Light
- 34. Structures
- Bracket for Shadows and Highlights
- Building Materials
- Framing
- 35. Wildlife and Animals
- Challenges
- Wildlife and the Landscape
- 36. Perspective
- The Point of View
- Infrared Sees More
- Change Your Perspective
- Shifting the Camera Angle
- 37. Breaking the Rules
- First Learn the Rules
- Typical Rules
- Shifting Away from the Expected
- 38. Abstracts
- Paradox
- Elements, Principle, and Infrared
- Part Four: Postproduction and Workflow
- 39. Postproduction
- Necessary Steps
- Processing RAW Files
- Using Presets
- 40. Adobe Camera Raw Adjustments
- Adobe Camera Raw
- Global Image Adjustments
- 41. Pre-Sharpening and Noise Reduction
- Adjustments Prior to Photoshop
- Sharpening
- Noise Reduction
- 42. Removing Artifacts and Veins
- Artifacts
- Veins
- Wrinkles
- 43. Contrast: Levels, Dodge, and Burn
- Contrast and Histogram
- Full Contrast Range
- Balancing the Exposure
- Dodge and Burn
- 44. Sharpening and Adding an Infrared Glow
- High Pass Filter Sharpening
- Steps for Sharpening
- Characteristic Infrared Glow
- 45. HDR Manual
- High Dynamic Range
- Using Nik Software Filters
- Merging Files in Photoshop
- 46. Retouching Eyes
- Challenges
- When to Make the Adjustments
- Lightening the Eyes
- Steps to Adjust Dark Eyes
- 47. Channel Swapping and Hue/Saturation Adjustments
- Channel Swapping
- Steps for Channel Swapping
- Hue and Saturation
- 48. Handcoloring Infrared Photographs
- Infrared Is Perfect for Handcoloring
- One-of-a-Kind Prints
- 49. Plug-In Filters
- Adding Interest
- Creative Overlays
- Filter Sets
- 50. Pulling It All Together in Print
- Perfect Black & White Prints
- Color
- Part Five: Art of Infrared
- 51. Cocoon
- About Cocoon
- 52. Emergence
- About Emergence
- 53. Human Forms in Santa Fe Landscape
- About Human Forms in Santa Fe Landscape
- 54. Pas de Cheval
- About Pas de Cheval
- 55. Slacklining
- About Slacklining
- 56. Soaring
- About Soaring
- 57. The Bridge
- About The Bridge
- 58. The Kiln Nymph
- About The Kiln Nymph
- 59. The Mica Mask
- About The Mica Mask
- 60. The Mink
- About The Mink
- Index
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