Digital China
Creativity and Community in the Sinocybersphere
Published on 1. October 2025
312 pages
978-1-040-78018-3 (ISBN)
Description
Over the past decade, digital technologies have profoundly reshaped the Chinese cultural landscape. With a focus on the creative agency of new media and online communities, this volume examines this development through the notion of the Sinocybersphere - the networked spaces across the globe that not only operate on the Chinese script, but also imaginatively negotiate the meanings of Chinese culture in the digital age. Instead of asking what makes the internet or new media "Chinese," the chapters situate contemporary entanglements of cultural and digital practices within specific historical, social, and discursive contexts. Covering topics as diverse as live-streaming, AI poetry, online literature, poetry memes, cyberpunk fiction, virtual art exhibitions, cooking videos, censorship, and viral translations, the collection as a whole not only engages with a wide range of Chinese new media phenomena, but also demonstrates their relevance to our understanding of contemporary digital culture.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
File size
13,62 MB
ISBN-13
978-1-040-78018-3 (9781040780183)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
approx. 12/2025
1st Edition
Routledge
€73.31
Not yet published
Book
03/2024
Amsterdam University Press
€165.70
Shipment within 10-20 days
Person
Jessica Imbach is Junior Professor of Sinology/contemporary China at the Albert Ludwig University of Freiburg. She is the author of Not Afraid of Ghosts: Stories of the Spectral in Modern Chinese Fiction (University of Zurich, 2017) and co-editor of Sinophone Utopias: Exploring Futures Beyond the China Dream (Cambria Press, 2023). In 2023, she was awarded the FAN Award for early career researchers of the University of Zurich for her ongoing research project, Chinese Literature of the Future: Technology and Nation in Science Fiction and New Media.
Content
Acknowledgements, Note on Romanisation, List of Figures, Introduction: Locating digital China , 1 Re-inventing tianxia: Coming-of-age in xuanhuan fantasy fiction , 2 An online world of their own: Rethinking danmei fiction through a reading of A Tale of Jujube Valley, 3 Hong Kong's digital literary field: Serialization, adaptation, and readership, 4 Virtual conciliation: (Un-)Coding the split between tradition and modernity in Chinese artificial intelligence poetry, 5 Poetry as meme: The Xiangpi ..literature project, online replicators, and printed archives, 6 Cooking authenticity: Li Ziqi, affective labour, and China's influencer culture, 7 Affective labour on Kuaishou: Sister Zhao and her cyber karaoke bar, 8 Network fantasies: Liu Cixin's China 2185, digital Futurism, and history as computer code, 9 Cyborg resistance: Chen Qiufan's The Waste Tide, dirty computers and the afterlives of digital things, 10 Virtual art in times of crisis: curatorial practices during the Covid-19 pandemic in China and Malaysia, 11 Viral text: Translation, censorship, community, Bibliography, List of Contributors, Index
