
Perspectives on Narrativity and Narrative Perspectivization
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Content
- Intro
- Perspectives on Narrativity and Narrative Perspectivization
- Editorial page
- Title page
- LCC data
- Table of contents
- Preface and Acknowledgements
- Introduction
- 1. The perspectival character of narrativity
- 2. Perspectives on narrativity
- 2.1 Narrativity as a perspectival constellation
- 2.2 Narrativity as a recursive property
- 2.3 Narrativity as a dynamic configuration
- 3. Narrative perspectivization
- 4. The perspectives of the volume
- References
- Part I: Cognitive-linguistic perspectives
- Perspectivization as a link between narrative micro- and macro-structure
- 1. Why are narratives special?
- 2. The core principle of perspectivization
- 3. Perspectivization on the linguistic micro-structure
- 3.1 Temporal perspectivization and the "Jekyll-and-Hyde effect"
- 3.2 Perspectivization vs. deixis
- 3.3 Effects on the textual level: The double-layered structure of discourse
- 4. The double-layered structure of narrative discourse
- 5. Recursive embedding and the emerging story: The case of Nabokov's Lolita
- 5.1 Viewpoint multiplication: Who speaks and who perceives?
- 5.2 The epistemic path, or: What do we really know about Lolita?
- 6. Conclusion: The characteristics of narrative structure
- References
- Presenting narration
- 1. Introduction
- 2. The data: Paving the way
- 2.1 Renarrative
- 2.2 Tripartite article
- 3. Semantics: Referential anchoring
- 3.1 Renarrative
- 3.2 Tripartite article
- 4. Discourse-pragmatics: Perspectival effects
- 4.1 Deixis - point of view - perspectivity
- 4.2 Renarrative
- 4.3 Tripartite article
- 5. Narrativity: Presenting narration
- 5.1 Renarrative
- 5.2 Tripartite article
- 6. Summary
- References
- Neurolinguistic view into narrative processing
- 1. A neurolinguistic path to narrativity
- 2. Processing of macro-structures in neurologic patients
- 2.1 Influence of executive function on language processing
- 2.2 Narrative processing in acquired language disorders
- 3. Psycholinguistic models of narrative processing
- 4. Exploring the cognitive-linguistic interface of narratives
- 4.1 Procedure
- 4.2 Participants
- 4.3 Impact of cognitive functions on narrative processing
- 4.3.1 Narrative text comprehension
- 4.3.2 Narrative text production
- 5. Conclusion
- References
- Appendix
- Part II: Literary and transmedial perspectives
- The double-layered structure of narrative discourse and complex strategies of perspectivization
- 1. Starting point: Distance, perspective, and "meta"
- 2. A three-staged model of narrative communication
- 3. Exemplary analysis of complex forms of perspectivization in narrative
- 3.1 Meta-discursive strategies in E.T.A. Hoffmann's The Golden Pot
- 3.2 Bridging the gap between narrator and narratee - Wolf Haas' metanarrative detective novels
- 4. Conclusion
- Primary Sources
- References
- Narrator and narrative space in Middle High German epic poetry (Parzival, Ehescheidungsgespräch, Prosalancelot)
- 1. The fundamental difference between modern and medieval storytelling
- 2. The emergence of vernacular script-based storytelling at the end of the 12th century
- 3. The differentiation of the fundamental form of courtly storytelling in the 13th century
- 3.1 Wolfram's Parzival
- 3.2 The Stricker: Ehescheidungsgespräch
- 3.3 Prosalancelot
- 4. Outlook
- Seeing or meaning?
- 1. Perspective as a visual and analytical term
- 2. Pfister's concept of perspective in drama
- 3. Play within the play revealing dramatic perspectivization
- 4. Linking macro- and micro-structure
- 4.1 Catharina von Georgien
- 4.2 Prince Friedrich von Homburg
- 4.3 The God of Carnage
- 5. Conclusion
- Primary sources
- References
- Pictorial narrativity
- 1. Introduction
- 2. The critical arguments and their presuppositions
- 2.1 The presupposed concepts of narrativity
- 2.2 The presupposed characterizations of the pictorial medium
- 3. Conditions for pictorial narrativity
- 3.1 The "suitable relation" and its reasons
- 3.2 The fruitful moment
- 4. Narrative stimuli in different types of pictures
- 4.1 Narrative stimuli in single pictures
- 4.2 Narrative stimuli in multiphase pictures and picture series
- 5. Conclusion
- References
- Index
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