
The Post-Chornobyl Library
Description
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Content
2. Nuclear Apocalypse and Postmodernism
3. The Socialist Realist Chornobyl Discourse
4. Nuclear (Non)-Representation
5. Chornobyl and Virtuality
6. Chornobyl and the Cultural Archive
7. Chornobyl Postmodern Topography
8. Chornobyl and the Crisis of Language
9. Postmodernism: The Synchronization of History
10. Ukrainian Postmodernism: The Historical Framework
11. A Farewell to the Classic
12. The "Ex-Centricity" of the Great Character
13. Postmodernism and the "Cultural Organic"
14. Postmodernism as Ironic Behavior
15. Bu-Ba-Bu: A New Literary Formation
16. The Carnivalesque Postmodern
17. Yuri Andrukhovych's Carnival: A History of Self-Destruction
18. After the Carnival: Bu-Ba-Bu Postmortem
19. Narrative Apocalypse: Taras Prokhasko's Topographic Writing
20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk
21. The Grotesques of the Kyiv Underground: Dibrova-Zholdak-Poderviansky
22. Feminist Postmodernism: Oksana Zabuzhko
23. Postmodern Europe: Revision, Nostalgia, and Revenge
24. The Chornobyl Apocalypse of Yevhen Pashkovsky
25. The Postmodern Homelessness of Serhiy Zhadan
26. Volodymyr Tsybulko's Pop-Postmodernism
27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky
28. PS. A Comment from the "End of Postmodernism"
29. Types of Postmodernism
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