
European Gothic
Description
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Content
- Front matter
- Contents
- List of illustrations
- Notes on the contributors
- Acknowledgements
- Introduction
- Translation in distress: cultural misappropriation and the construction of the Gothic
- European disruptions of the idealized woman: Matthew Lewis's The Monk and the Marquis de Sade's La Nouvelle Justine
- Diderot and Maturin: Enlightenment, automata, and the theatre of terror
- Verging on the Gothic: Melmoth's journey to France
- Europhobia: the Catholic other in Horace Walpole and Charles Maturin
- European Gothic and nineteenth-century Russian literature
- The robbers and the police: British romantic drama and the Gothic treacheries of Coleridge's Remorse
- Translating Mary Shelley's Valperga into English: historical romance, biography or Gothic fiction?
- 'Hallelujah to your dying screams of torture': representations of ritual violence in English and Spanish Romanticism
- Potocki's Gothic Arabesque: embedded narrative and the treatment of boundaries in The Manuscript Found in Saragossa (1797-1815)
- The Gothic crosses the Channel: abjection and revelation in Le Fantôme de l'Opéra
- 'A detour of filthiness': French fiction and Djuna Barnes's Nightwood
- Index
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File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
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