Of One Blood
Description
"Mysticism, horror, and racial identity merge fluidly in this thrilling tale... The suspense is tangible and the final reveal will leave readers reeling"- Publishers Weekly, STARRED review
From groundbreaking Black author Pauline Hopkins comes an uncanny example of classic horror, exploring identity, race, and spirituality
When medical student Reuel Briggs reluctantly attends a performance by the beautiful singer Dianthe Lusk, he can't help but fall for her. The very next day, their paths cross again when Dianthe's train crashes. To bring her back from the brink of death, Reuel draws on an eerie power he can't quite name. Soon, the two are engaged, and Reuel sets off on an archeological expedition to Africa to offset his debts before the wedding. But, in Ethiopia, unexpected danger and terror force him to confront the truth about his lineage, his power, and the disturbing history that lives in his very blood.
First serialized in Colored American Magazine in 1902, this classic fiction exemplifies Pauline Hopkins's incisive writing and interrogates issues of race, blood, and history that remain urgent today.
This edition of Hopkins's classic horror novel is presented by the Horror Writers Association and introduced by award-winning author Nisi Shawl.
Includes notes, biographical information about the author, discussion questions for classroom use, and suggested further reading.
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Pauline Elizabeth Hopkins, born in Portland, Maine, in 1859, is best known for four novels and numerous short stories which she published between 1900 and 1903. Her best-known work, the novel Contending Forces: A Romance Illustrative of Negro Life North and South, was published in Boston, Massachusetts, in 1900 by the Colored Co-operative Publishing Company, followed by three serialized novels-- the last one being Of One Blood; Or, The Hidden Self--all published in the Colored American Magazine, a literary journal where Hopkins served as editor at the time. Through her editorial work, fiction, and a substantial body of nonfiction, she emerged as one of the era's preeminent public intellectuals.
