
Textile Landscape
Description
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Content
- Intro
- Title
- Contents
- Introduction: An In-between World
- About This Book
- Cloth, Colour & Mark
- A Common Language
- Less is More: Sampling and Exploration
- Making a Mark
- Paper
- A Little Bit About Colour
- Stitch-scapes
- Painting with Cloth
- Choosing Materials and Media
- Cloth and Paper as a Ground
- Crossing Boundaries
- A Flexible Canvas for Paint and Layers
- Laying Out a 'Dry Collage' in Cloth
- Colouring Fabric
- Monoprinting
- Stitch-Print Plates
- Screen Printing
- Breakdown Printing
- Inspiring Landscapes
- Connecting with the Landscape
- Landscape and Gardeners
- Capability Brown: A Textile Trail in Stitch with the Embroiderers' Guild
- Paths and Mapping
- Travel Diaries
- Edges of Australia
- Creating a Rolled or Folded Journal
- Sweeping Landscapes
- 'Un-traditional' Appliqué
- Land and Sky
- The Known and Unknown
- Seen and Unseen Worlds
- Land and Water
- Re-claimed Landscapes
- Woods and Trees
- Red Trees
- On Closer Inspection
- Plant Gatherers and Collectors
- Investigation and Gathering
- The Stitch-Mark Palette
- People and Place
- Making Our Mark
- 1944: A Landscape of Memory
- The View From Above
- In Ancient Footsteps
- Location
- A Sense of Space and Time
- The Fabric of Our Landscape
- Uncommon Spaces
- Hanging and Presenting Works
- Concrete and Cloth
- Conclusion: Textile Artists Don't do Landscape
- Bibliography and Sources
- Websites and Suppliers
- Index
- Acknowledgements
- Copyright
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File format: ePUB
Copy protection: Watermark-DRM (Digital Rights Management)
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