
Finding the Plot
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Content
- Intro
- TABLE OF CONTENTS
- PREFACE
- INTRODUCTION
- PART 1: THEORY AND STORY
- CHAPTER ONE - PUISSANCE DE L'INTRIGUE
- CHAPTER TWO - STORYPLAYING. LA MACHINE A FABRIQUER SES HISTOIRES ET A APAISER SON ESPRIT
- CHAPTER THREE - L'ENJEU DU PLAISIR DANS LA RECEPTION CRITIQUE DU ROMAN POPULAIRE AU XIXE SIECLE
- CHAPTER FOUR - INTRIGUE, AS-TU DU COEUR?
- CHAPTER FIVE - FICTIONNALISATION ET STORYTELLING DANS LA PRESSE TABLOID
- CHAPTER SIX - ON THE ART OF PLOTTING, AND THE READER AS CO-CONSPIRATOR
- PART II: STORY/HISTORY
- CHAPTER SEVEN - LES NOMADES DE LA PREHISTOIRE
- CHAPTER EIGHT - CAN A TALE BE TELLING WITHOUT A PLOT?
- CHAPTER NINE - EMPLOTTING THE FAIR
- CHAPTER TEN - PICARESQUE PLOTS AND IMPROPER HEROINES
- CHAPTER ELEVEN - TELLING TALES ABOUT WORLD WAR TEO IN PHILIPPE GRIMBERT'S UN SECRET
- PART III: BENDING GENRES
- CHAPTER TWELVE - LE PLAISIR DU POLAR ET SES PARADOXES
- CHAPTER THIRTEEN - TRANS-BOND-EXPRESS, OU LES PLAISIRS MOBILES (1953-1965)
- CHAPTER FOURTEEN - COURIR APRES LES INTRIGUES ...
- CHAPTER FIFTEEN - INEVITABLE PLOTS IN THE SYMBOLIST NOVEL?
- CHAPTER SIXTEEN - FINDING THE PLOT IN FRENCH CHANSON
- CHAPTER SEVENTEEN - REWRITING THE PLOT
- PART IV: IN A SPIN: STORYTELLING IN THE POSTMODERN ERA
- CHAPTER EIGHTEEN - LES FANS ET LES HISTOIRES
- CHAPTER NINETEEN - DU COEUR AU PRISME
- CHAPTER TWENTY - TELLING NEW STORIES?
- CHAPTER TWENTY-ONE - DAN BROWN, OR THE PARALITERARY AS THE GREAT CODE OF LITERATURE
- POSTFACE - FINDING THE PLOT
- CONTRIBUTORS
- INDEX
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