Institutional Character
Description
How do our institutions shape us, and how do we shape them? From the late nineteenth-century era of high imperialism to the rise of the British welfare state in the mid-twentieth century, the concept of the institution was interrogated and rethought in literary and intellectual culture. In Institutional Character, Robert Higney investigates the role of the modernist novel in this reevaluation, revealing how for a diverse array of modernist writers, character became an attribute of the institutions of the state, international trade, communication and media, labor, education, public health, the military, law, and beyond.
In readings of figures from the works of E. M. Forster, Joseph Conrad, and Virginia Woolf to Mulk Raj Anand, Elizabeth Bowen, and Zadie Smith, Higney presents a new history of character in modernist writing. He simultaneously tracks how writers themselves turned to the techniques of fiction to help secure a place in the postwar institutions of literary culture. In these narratives-addressing imperial administrations, global financial competition, women's entry into the professions, colonial nationalism, and wartime espionage-we are shown the generative power of institutions in preserving the past, designing the present, and engineering the future, and the constitutive involvement of individuals in collective life.
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Robert Higney is Associate Professor of English at The City College of New York, CUNY.
Content
1. Joseph Conrad and the Institutions of Empire
2. Virginia Woolf and Political Possibility in the Gendered Institution
3. Institutional Picaresque: Mulk Raj Anand from Bloomsbury to Bombay
4. Elizabeth Bowen: War, Welfare, and the Institutional Impersonal
Conclusion: The Institution as Promise and Limit
