
An Approach to Translation Criticism
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Content
- An Approach to Translation Criticism
- Editorial page
- Title page
- LCC data
- Table of contents
- Acknowledgements
- 1. Introduction
- 1.1 Translation Quality Assessment
- 1.2 Translation criticism
- 1.2.1 Leuven-Zwart and Koster: "shifts" and the tertium comparationis
- 1.2.2 Armin Paul Frank and the transfer-oriented approach
- 1.2.3 Antoine Berman's "critique"
- 1.2.4 Corpus Based Translation Studies
- 1.3 In search of a new model
- 1.3.1 Source vs. target
- 1.3.2 Terminology
- 1.3.3 Identifying passages and the micro-meso-macro-level relationship
- 1.3.4 The question of style
- 1.3.5 The tertium comparationis
- 1.3.6 The critic's interpretative position
- 1.4 A brief outline of methodology
- 1.4.1 Preliminary data
- 1.4.2 The critical framework
- 1.4.3 Micro- and meso-level analysis
- 1.4.4 Macro-level analysis
- 1.5 Corpus
- 1.6 Concluding remarks
- 2. From preliminary data to the critical framework
- 2.1 Madame Bovary
- 2.1.1 Preliminary data for Madame Bovary
- 2.1.2 The critical framework for Madame Bovary
- 2.1.3 The choice of passages for Madame Bovary
- 2.2 Emma
- 2.2.1 Preliminary data for Emma
- 2.2.2 The critical framework for Emma
- 2.2.3 The choice of passages for Emma
- 2.3 From the critical framework to the initial reading
- 2.4 Conclusion
- 3. Describing translational choices and their effects
- 3.1 A passage from Madame Bovary
- 3.2 A passage from Emma
- 3.3 Tools and metalanguage for describing translational choices
- 3.3.1 Describing syntactic choice
- 3.3.2 Describing lexical choice
- 3.3.3 Describing grammatical choice
- 3.3.4 Describing stylistic choice
- 3.3.5 Overriding translational choices: Addition and Elimination
- 3.3.6 Free indirect discourse (FID)
- 3.4 Meso-level effects
- 3.4.1 Voice effects
- 3.4.2 Interpretational effects
- 3.4.3 The question of impact
- 3.5 Meso-level analyses
- 3.5.1 Passage 3:1
- 3.5.2 Passage 3:2
- 3.6 Conclusion
- 4. Two translations of Emma
- 4.1 The social framework
- 4.2 Looking for clues
- 4.3 The author's narrator and free indirect discourse
- 4.4 Results and Conclusion
- 5. Three versions of Madame Bovary
- 5.1 Dialogue
- 5.2 The depiction of iterative "reality"
- 5.3 Fantasy
- 5.3.1 Charles' daydream of Berthe's future
- 5.3.2 Emma's fantasized elopement
- 5.4 Hallucination
- 5.5 Results and Conclusion
- 6. The macrostructural level
- 6.1 The macro-level
- 6.2 Macro-level effects
- 6.2.1 Voice effects
- 6.2.2 Interpretational effects
- 6.3 General macro-level categories
- 6.3.1 From "divergent similarity" to "adaptation"
- 6.4 Drawing up hypotheses
- 6.5 Conclusion
- 7. Radical divergence and adaptation
- 7.1 Saint-Segond
- 7.2 May and Hopkins
- 7.3 Salesse-Lavergne
- 7.4 Nordon
- 7.5 Conclusion
- 8. Relative divergence
- 8.1 Russell
- 8.2 Steegmuller
- 8.3 Conclusion
- 9. Divergent similarity
- 9.1 Mauldon
- 9.2 Wall
- 9.3 Mauldon and Wall compared
- 9.4 Russell and Steegmuller
- 9.5 Hopkins and May
- 10. Conclusion
- 10.1 Pitfalls and inherent weaknesses
- 10.2 Results
- 10.3 The need for criticism
- 10.4 The purpose of criticism
- References
- 1. Primary sources
- 2. Secondary sources
- 3. Websites
- Subject index
- Name index
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