
Strong Words
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Matthew Hollis was born in 1971 in Norwich, and now lives in London. He won an Eric Gregory Award in 1999. He is co-editor of 101 Poems Against War (Faber, 2003) and Strong Words: Modern Poets on Modern Poetry (Bloodaxe Books, 2000), and editor of the Selected Poems of Edward Thomas (Faber, 2011). He is Poetry Editor at Faber & Faber. After its shortlisting for the Forward Prize for Best First Collection, his first full-length collection Ground Water (Bloodaxe Books, 2004) was shortlisted for the Guardian First Book Award (the first time for a poetry book) and for the Whitbread Poetry Award. Ground Water was also a Poetry Book Society Recommendation. His biography, Now All Roads Lead to France: The Last Years of Edward Thomas (Faber, 2011), won the Costa Biography Award, the H.W. Fisher Biography Award and a Royal Society of Literature Jerwood Award for Non-Fiction, and was BBC Radio 4 Book of the Week and Sunday Times Biography of the Year. In 2016 he published two limited letterpress and hand-made pamphlets, Stones (Incline Press) and East (Clutag Press).
Content
- Intro
- CONTENTS
- A NOTE ON THE TEXT
- INTRODUCTION: Writing into the Dark
- EZRA POUND: from A Retrospect
- W.B. YEATS: from A General Introduction for my Work
- T.S. ELIOT: Tradition and the Individual Talent
- ROBERT GRAVES: from Observations on Poetry 1922-1925
- ROBERT FROST: The Figure a Poem Makes
- HART CRANE: General Aims and Theories
- E.E. CUMMINGS: Foreword to is 5
- GERTRUDE STEIN: Explaining 'a rose is a rose is a rose'
- WALLACE STEVENS: from Adagia
- W.H. AUDEN: The Virgin and the Dynamo
- LOUIS MACNEICE: A Statement
- HUGH MACDIARMID: A Theory of Scots Letters
- BASIL BUNTING: The Poet's Point of View
- WILLIAM CARLOS WILLIAMS: On Measure - Statement for Cid Corman
- LOUIS ZUKOFSKY: A Statement for Poetry
- CHARLES OLSON: from Projective Verse
- ROBERT CREELEY: To Define
- DENISE LEVERTOV: 'I believe poets are instruments'
- MARIANNE MOORE: 'I tend to write in a patterned arrangement'
- ELIZABETH BISHOP: Letter to Miss Pierson
- ROBERT LOWELL: On 'Skunk Hour'
- RANDALL JARRELL: Answers to Questions
- KEITH DOUGLAS: 'Poetry is like a man'
- DYLAN THOMAS: Notes on the Art of Poetry
- W.S. GRAHAM: Notes on a Poetry of Release
- PATRICK KAVANAGH: from Self Portrait
- LANGSTON HUGHES: How to Be a Bad Writer
- ALLEN GINSBERG: When the Mode of the Music Changes the Walls of the City Shake'
- FRANK O'HARA: Personism: A Manifesto
- AMIRI BARAKA (LEROI JONES): 'How You Sound??'
- AUDRE LORDE: Poetry Is Not a Luxury
- ADRIENNE RICH: Poetry and Experience: Statement at a Poetry Reading
- THOM GUNN: Writing a Poem
- SYLVIA PLATH: A Comparison
- STEVIE SMITH: My Muse
- PHILIP LARKIN: Statement
- TED HUGHES: Words and Experience
- SEAMUS HEANEY: Craft and Technique
- TONY HARRISON: 'Poetry is all I write'
- DOUGLAS DUNN: A Difficult, Simple Art
- DEREK WALCOTT: In Conversation
- PAUL MULDOON: Go Figure
- TOM PAULIN: Tracking
- CRAIG RAINE: Babylonish Dialects
- ANNE STEVENSON: A Few Words for the New Century
- C.K. WILLIAMS: Contexts: An Essay on Intentions
- ELAINE FEINSTEIN: A Question of Voice
- EDWIN MORGAN: Roof of Fireflies
- TOM LEONARD: From the Introduction to to Radical Renfrew
- FLEUR ADCOCK: Not Quite a Statement
- LES MURRAY: The Instrument
- JOHN KINSELLA: Almost a Dialogue with Lyn Hejinian: Quotations and Phantom Limbs.
- U.A. FANTHORPE: War, Poetry, the Child
- GRACE NICHOLS: 'The poetry I feel closest to'
- BRENDAN KENNELLY: Voices
- EAVAN BOLAND: The Wrong Way
- MEDBH McGUCKIAN: And Cry Jesus to the Mice
- BERNARD O'DONOGHUE: Poetry's Concern
- DAVID CONSTANTINE: Common and Peculiar
- HUGO WILLIAMS: Leaping Versus Blabbing
- ANDREW MOTION: Yes and No
- CIARAN CARSON: The Other
- SEAN O'BRIEN: Proceedings in Palmersville
- MICHAEL HOFMANN: 'I happen to believe'
- MICHAEL DONAGHY: My Report Card
- SELIMA HILL: Racoons - or, Can Art Be Evil?
- SARAH MAGUIRE: Poetry Makes Nothing Happen
- SIMON ARMITAGE: Re-Writing the Good Book
- GLYN MAXWELL: Strictures
- JOHN BURNSIDE: Strong Words
- ROBERT CRAWFORD: Cosmopolibackofbeyondism
- GWYNETH LEWIS: Whose Coat is that Jacket? Whose Hat is that Cap?
- FRED D'AGUIAR: Further Adventures in the Skin Trade
- LAVINIA GREENLAW: Interior with Extension Cord
- KATHLEEN JAMIE: Holding Fast - Truth and Change in Poetry
- DON PATERSON: Aphorisms
- JOHN HARTLEY WILLIAMS: A Manifesto
- ACKNOWLEDGEMENTS & FURTHER READING
- INDEX
- About the Authors
- Copyright
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