Opera Acts
Singers and Performance in the Late Nineteenth Century
Published on 28. January 2015
978-1-316-19050-0 (ISBN)
Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Celestine Galli-Marie; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Reviews / Votes
'Karen Henson lovingly summons the voices of four singers of the fin de siecle, chronicling the moment when the opera star was no longer defined by beautiful singing alone. Spiraling out from Paris to aesthetics and performance practice in both Verdi and Wagner, Henson uncovers the roots of our current obsession with dramatic intensity, cinematic realism, and photogenic celebrity on the operatic stage.' Mary Ann Smart, University of California, Berkeley 'Karen Henson upsets conventional wisdom to argue for the continuing influence of singers on operatic creation in the late nineteenth century. Weaving together journalism, photography, theater, and fashion, she shows that the physicality of performers as much as their voices shaped works by Verdi, Bizet, Massenet, and Wagner. This is a virtuosic account of opera's rich cultural fabric - beautifully written, always engaging.' Steven Huebner, McGill University, MontrealMore details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Publishing group
Cambridge University Press
Target group
Professional and scholarly
Illustrations
44 Printed music items; 17 Halftones, unspecified; 17 Halftones, black and white
File size
15,60 MB
ISBN-13
978-1-316-19050-0 (9781316190500)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
01/2015
Cambridge University Press
€129.50
Shipment within 15-20 days
Person
Karen Henson is Associate Professor at the Frost School of Music, University of Miami. Her research focuses on nineteenth-century opera, singers and opera performance, and opera and technology. She trained at the University of Oxford and in Paris, and her work has been supported by fellowships and awards from The British Academy, the Stanford Humanities Center, and the Radcliffe Institute for Advanced Study, Harvard University. She has been a regular guest speaker for the Metropolitan Opera, New York City Opera, and the BBC.
Content
Introduction: on not singing and singing physiognomically; 1. Verdi, Victor Maurel, and the operatic interpreter; 2. Real mezzo: Celestine Galli-Marie as Carmen; 3. Photographic diva: Massenet, Sibyl Sanderson, and the soprano as spectacle; 4. Jean de Reszke, the 'problem' of the tenor, and early international Wagner performance; Supporting cast.
