
The Word on the Streets
Description
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From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism-one that cuts across traditional boundaries of class, race, and ethnicity.
The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice.
Brooks Hefner shows how writers across a variety of popular genres-from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska-employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
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Brooks E. Hefner is Associate Professor of English at James Madison University.
Content
1. "The Steady Reaching Out for New and Vivid Forms": H. L. Mencken and the American Revolution of the Word
2. "Never mind the comical stuff... They ain't no joke about this!": Ring Lardner, Anita Loos, and the Comic Orgins of Vernacular Modernism
3. "I didn't understand the words, but my voice was like dynamite": Anzia Yezierska, Mike Gold, and the Jewish-American Break with Realism
4. "Say It With Lead": Carroll John Daly, Dashiell Hammett, and Modernism's Underworld Vernacular
5. "The Necromancy of Language": Realist Uplift and Urban Vernacular in Rudolph Fisher and Claude McKay
Conclusion: Modernism's Familial Relations
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
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- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.
File format: ePUB
Copy protection: without DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use a reader that can handle the file format ePUB, such as Adobe Digital Editions or FBReader – both free (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePUB works well for novels and non-fiction books – i.e., 'flowing' text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook does not use copy protection or Digital Rights Management
For more information, see our eBook Help page.