
Criticism in the Borderlands
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Content
- Intro
- Contents
- Acknowledgments
- Foreword: Redefining American Literature
- Editors' Introduction: Criticism in the Borderlands
- Part I Institutional Studies and the Literary Canon
- Narrative, Ideology, and the Reconstruction of American Literary History
- The Rewriting of American Literary History
- The Theoretical Subject(s) of This Bridge Called My Back and Anglo-American Feminism
- Part II Representations of the Chicana/o Subject: Race, and Class, and Gender
- Imprisoned Narrative? Or Lies, Secrets, and Silence in New Mexico Women's Autobiography
- Body, Spirit, and the Text: Alma Villanueva's Life Span
- Ana Castillo's The Mixquiahuala Letters: The Novelist as Ethnographer
- Fables of the Fallen Guy
- Part III Genre, Ideology, and History
- The Novel and the Community of Readers: Rereading Tomás Rivera's Y no se Io tragó la tierra
- Ideological Discourses in Arturo Islas's The Rain God
- Conceptualizing Chicano Critical Discourse
- Sites of Struggle: Immigration, Deportation, Prison, and Exile
- Part IV Aesthetics of the Border
- Chicano Border Narratives as Cultural Critique
- On Chicano Poetry and the Political Age: Corridos as Social Drama
- Feminism on the Border: From Gender Politics to Geopolitics
- Dancing with the Devil: Society, Gender, and the Political Unconscious in Mexican-American South Texas
- Works Cited
- Selected and Annotated Bibliography of Contemporary Chicano Literary Criticism
- Index
- Contributors
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