Shakespeare and the Cleopatra/Caesar Intertext
Sequel, Conflation, Remake
1st Edition
Published on 16. July 2011
226 pages
978-1-68393-905-4 (ISBN)
Description
Is William Shakespeare's Antony and Cleopatra a sequel to the earlier Julius Caesar? If this question raises issues of authorship and reception, it also interrogates the construction of dramatic sequels: how does a playtext ultimately become the follow-up of another text? This book explores how dramatic works written before and after Shakespeare's time have encouraged us to view Shakespeare's Julius Caesar and Antony and Cleopatra as strongly interconnected plays, encouraging their sequelization in the theater and paving the way toward the filmic conflations of the twentieth century.
Blending theories of literary and filmic intertextuality with issues of race and gender, and written by an author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.
Blending theories of literary and filmic intertextuality with issues of race and gender, and written by an author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.
More details
Edition
1. Auflage
Language
English
Place of publication
NJ
United States
Publishing group
Associated University Presses
Target group
College/higher education
ISBN-13
978-1-68393-905-4 (9781683939054)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
06/2011
Fairleigh Dickinson University Press
€107.50
Shipment within 3-4 weeks
Person
Sarah Hatchuel is professor of early modern English literature and director of the Research Group on Identities and Cultures (GRIC) at the University of Le Havre (France).
Content
Chapter 1 List of Illustrations
Chapter 2 Introduction
Chapter 3 1. Revisiting Julius Caesar: Antony and Cleopatra as Logical Extension of Challenging Rewriting?
Chapter 4 2. "Play it Again, Antony!": Performing Antony and Cleopatra as Julius Caesar's sequel
Chapter 5 3. "Triple-turn'd whore!" Cleopatra in an Intertextual Triangle of Desire
Chapter 6 4. "Play it Again, Cleopatra!" Cleopatra as the Pivotal Figure in the Conflation of Plots
Chapter 7 5. "Carry on, Cleo!": From Sequel to Remake to Parody
Chapter 8 Conclusion
Chapter 9 Filmography
Chapter 10 Bibliography
Chapter 11 Index
Chapter 2 Introduction
Chapter 3 1. Revisiting Julius Caesar: Antony and Cleopatra as Logical Extension of Challenging Rewriting?
Chapter 4 2. "Play it Again, Antony!": Performing Antony and Cleopatra as Julius Caesar's sequel
Chapter 5 3. "Triple-turn'd whore!" Cleopatra in an Intertextual Triangle of Desire
Chapter 6 4. "Play it Again, Cleopatra!" Cleopatra as the Pivotal Figure in the Conflation of Plots
Chapter 7 5. "Carry on, Cleo!": From Sequel to Remake to Parody
Chapter 8 Conclusion
Chapter 9 Filmography
Chapter 10 Bibliography
Chapter 11 Index
