
Trash
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
Reviews / Votes
Kenneth W. Harrow's Trash . . . is a timely intervention in the theorization of African cinema. It is an impassioned and committed interrogation of hybridity, syncretism and cross-fertilizaiton in postcolonial cinema and one that seeks to both celebrate and renegotiate the image of the marginalized and the discarded.5.2 2014 * Transnational Cinemas * Trash brings about a fresh perspective that figures African cinema as a type of mirror of condition, a kind of cinema verite that disrupts the aesthetics of necropolitics-whether from the north or the south-and the aesthetic order of high cinema. * African Arts * Harrow's engaging book offers readers a glimpse into the trash heaps . . . squalor, and poverty that have often been depicted in African cinema since independence, but which have rarely been the object of critical study.April 2014 * African Studies Review * Trash inspires a rigorous questioning of how we think about 'Africa from below' in our scholarly research: it is a speculative, probing, provocative book filled with questions about power, exclusion, representation, and subjectivity, and about how African cinema engages social realities without necessarily serving up palatable dishes of realism or political critique. * Journal of African History * This book is a work of erudition, understanding, engagement, and enthusiastic committment to African cinema studies and literature. . . . Highly recommended. * Choice *More details
Other editions
Person
Content
Introduction
1. Bataille, Stam, and Locations of Trash
2. Ranciere: Aesthetics, Its Mesententes and Discontents
3. The Out-of-Place Scene of Trash
4. Globalization's Dumping Groun:, The Case of Trafigura
5. Agency and the Mosquito: Mitchell and Chakrabarty
6. Trashy Women: Karmen Gei, l'Oiseau Rebelle
7. Trashy Women, Fallen Men: Fanta Nacro's "Puk Nini" and La Nuit de la verite
8. Opening the Distribution of the Sensible: Kimberly Rivers and Trouble the Water
9. Abderrahmane Sissako's Bamako and the Image: Trash in Its Materiality
10. The Counter-Archive for a New Postcolonial Order: O Heroi and Daratt
11. Nollywood and Its Masks: Fela, Osuofia in London, and Butler's Assujetissement
12. Trash's Last Leaves: Nollywood, Nollywood, Nollywood
Notes
Bibliography
Filmography
Index
System requirements
File format: ePUB
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use a reading software that can process the file format ePUB: e.g., Adobe Digital Editions or FBReader – both free (see eBook Help).
- Tablet/Smartphone (Android; iOS): Before downloading, install the free app Adobe Digital Editions (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePUB works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.

