
The Art of the Text
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Content
- Intro
- Series editors' preface
- Acknowledgements
- List of illustrations
- Contributors
- Introduction
- Thinking the visual image
- Jules Verne: The Unbearable Brightness of Seeing
- Affinities of Photography and Syntax in Proust's À la recherche du temps perdu
- Portraits and Neologisms: Understanding the Visual in Henri Michaux's 'Voyage en Grande Garabagne'
- The 'trou noir': Visualizations of Nihilism in Nietzsche and Modiano
- Intermedial migrations in the 1920s
- Painting and Cinema in Aragon's Anicet
- Isotypes and Elephants: Picture-Language as Visual Writing in the Work and Correspondence of Otto Neurath
- Colette: An Eye for Textiles
- Stars as Sculpture in the 1920s Fan-Magazine Interview
- Visual negotiations and adaptations
- Victor Hugo and Painting: The Exceptional Case of the Orientales
- Visions and Re-visions: Zola, Cardinal and L'OEuvre
- Donner à voir: Poetic Language and Visual Representation according to Paul Éluard
- La lettre au cinéma n'est pas une excellente solution':A Heteromedial Analysis of Chantal Akerman's Proust Adaptation
- Translation sources
- Bibliography
- Index
System requirements
File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
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