
Imitation and Contamination of the Classics in the Comedies of Ben Jonson
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This fascinating exploration contributes to the 'performative turn' in early modern studies by reframing Jonson's classicism as essential to his dramaturgy as well as his erudition. The book is also a case study for how the early modern education system's emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on recycling and recombining performative tropes and structures.
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Content
References, Translations, and Abbreviations
Introduction: Altered Casrs
Chapter 1. Worlds Out of Words: Jonsonian and Aristophanic Cloudcuckoolands
Chapter 2. Hermaphroditical Authority: Epicene and The Aristophanic Chorus
Chapter 3. Mirror Stages: Satire from Every Man Out of His Humour to Volpone
Chapter 4. Servants with No Master: Broken Theatregrams in Every Man In His Humour and The Devil Is an Ass
Conclusion: The Unclosed Circle
Bibliography
Index
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