
Writing for Performance
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
"What a welcome, insightful and much-needed book. Harris and Holman Jones bring us to an integrated notion of writing that is embodied, felt, breathed and flung from stage to page and back again. Writing for Performance will become a crucial text for the creation of the performance and theater that the 21st Century will need." - Tim Miller, artist and author of Body Blows: Six Performances and 1001 Beds: Performances, Essays and Travels
"No prescriptions here. In the hands of this creative duo we find a deep and abiding respect for the many creative processes that might fuel writing and performance that matters. From the deep wells of their own experiences, Harris and Holman Jones offer exercises that are not meant to mold the would-be writer, but spur them on to recognize their latent writing/performative selves." - Kathleen Gallagher, Distinguished Professor of Curriculum, Teaching, and Learning, University of Toronto
Anne Harris, PhD, is a senior lecturer at Monash University (Melbourne), and researches in the areas of arts, creativity, performance, and diversity.
Stacy Holman Jones, PhD, is Professor in the Centre for Theatre and Performance at Monash University (Melbourne) specializing in performance studies, gender and critical theory and critical qualitative methods."
More details
Other editions
Additional editions


Content
- Intro
- Writing for Performance
- PRAISE FOR WRTING FOR PERFORMANCE
- TABLE OF CONTENTS
- Acknowledgements
- Exemplars
- Writing Exercises
- Chapter 1: Beginnings
- What Is Writing for Performance?
- The Work of the (Western) Word
- Asking Aesthetic, Critical, and Ethical Questions
- Who Is This Book for?
- About This Book and Its Structure
- Chapter 2: Words
- Books and Maps
- The Voice of a Performance Text
- Words and Bodies
- Words and Actions
- Exemplar One: A Dyke Is Not a Dam
- Writing Exercise One: Creating Character from Music
- Exemplar Two: Leave to Stay
- Writing Exercise Two: Creating Character from a News Item
- Words and.
- Chapter 3: Bodies
- Bodies Carry (The Performance) Word
- (Writing for) Speaking and Moving
- Writing Exercise One: Laundry Basket
- (Writing for) Silent Bodies/Embodiments
- Writing Exercise Two: Silent Shout
- (Writing for) Virtual Embodiments
- Writing Exercise Three: Improvising Marriage
- Exemplar One: Lost Bodies
- Writing Exercise Four: Making People with Words
- Exemplar Two: Smelly Bodies
- Writing Exercise Five: Smell It Like It Is
- Exemplar Three: 365 Days/365 Plays by Suzan-Lori Parks
- Writing Exercise Six: A Play a Day
- Bodies and.
- Chapter 4: Things
- Making Things Mean
- Making Things Mean Differently
- Gluing Things Together: Collage Techniques
- Exemplar One: Triskaidekaphobia by Amy Kilgard
- Writing Exercise One: Cut-up and Fold-in Methods (After William S. Burroughs)
- Exemplar Two: Four Words
- Writing Exercise Two: Graphic Collage
- Exemplar Three: Lost and Found
- Writing Exercise Three: Not-So-Chance Collage
- Exemplar Four: At the Seams
- Writing Exercise Four: Cento
- Things and.
- Chapter 5: Spaces
- Writing Spaces
- Performance Spaces
- Texts as Spaces
- Exemplar One: Tim Miller's Body Maps
- Writing Exercise One: Body Mapping
- Exemplar Two: Affirming Selves in Poetry
- Writing Exercise Two: The Town
- Spaces and.
- Chapter 6: Rehearsing/Devising
- Research into Performance
- Form and Content
- Raw Material: The Research Project
- The Adaptation Process
- The Workshop Performance
- Excerpts from Out/In Front
- Audience Feedback on the Workshop Performance of Out/In Front
- Rehearsing/Devising and.
- Chapter 7: Revising/Performing
- We're Going to Feast Festival!
- Revising
- Performing Heavier Than Air
- Cast/Characters
- Revising/Performing and.
- Chapter 8: Beginnings, Again
- References
- About the Authors
- Index
System requirements
File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.